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coupla wide angles

Started by chrisg ·

  • 12Posts
  • 12Replies

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coupla wide angles

12 posts
  1. First time shooting digital (d60/s+s housing) so be gentle:

     

     

    wa1.jpg

     

    wa2.jpg

  2. Great shot, and incredible blues. What lighing did you use and was what did you do afterwards in the computer.

     

    Bye Simon

  3. Great shot, and incredible blues. What lighing did you use and was what did you do afterwards in the computer.

     

    Bye Simon

    lighting was dual 90dx strobes

     

    computer:

     

    import in adobe camera raw

    exposures and color are pretty much "as shot".

     

    minor cropping

    remove stream of bubbles in second picture

    clone stamp away some sand particles and backscatter

    a little dodging and burning

  4. Did you use Custom WB and how did you produce the picture for it?

    Did you use a 14mm lens?

     

    What is "dodging and burning" never come over this terms

  5. Did you use Custom WB and how did you produce the picture for it?

    Did you use a 14mm lens?

     

    What is "dodging and burning" never come over this terms

    I think I just used "as shot" for wb

     

    yes..sigma 14mm

     

    dodging and burning=seletive brightening and darkening. In conventional phototography this is done with paper masks when printing.

    In photoshop it is best done with layers. I used it to reduce the harshness of the shadow in fron of the sponge.

  6. Very nice!

  7. Thaks Chris for the explanation.

     

    I did this often but never heard this terms (maybe because English is not my mother language)

     

    Simon

  8. The depth of field on the second photo is amazing. When I saw it, I thought it was a photoshop creation. Great job.

  9. Hi Chris,

     

     

    could you tell a little bit more about brightening and darkening in Photoshop.

    How do you use layers for it?

     

     

    Thanks

  10. You make different versions of the Picture (best different Raw Conversions with different exposure corrections) take the best overall (mostly the "middle" as Background and out the others as layers with "Hide all" Layermasks over it. at places you want to get it darker you paint a littel whit on the layermask of a darker version and when you want to lighter you paint al litte white on the mask of a brighter layer.

     

    Great to eliminate Hot spots.

     

    Simon

  11. You make different versions of the Picture (best different Raw Conversions with different exposure corrections) take the best overall (mostly the "middle" as Background and out the others as layers with "Hide all" Layermasks over it. at places you want to get it darker you paint a littel whit on the layermask of a darker version and when you want to lighter you paint al litte white on the mask of a brighter layer.

     

    Great to eliminate Hot spots.

     

    Simon

    Also, after you have made the mask layer, you usually want to perform some sort of blur operation on it so

    that the brightened/darkened parts will blend smoothly into the unaffected areas.

     

    this wasn't done heavily on either of these photos - they were acceptable straight out of the camera

    except for the bubbles in the 2nd one

  12. Very good Chris. Lighting for WA shots is pretty tough. I like the lighting on the snapper - just the right amount of fill for a silver fish.

     

    Cheers

    James

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