Poliwog,
<<Two different formats (DX and FX) with a different set of lens for each. Wow.>>
Certainly not my intention.
<<Are you planning to travel?>>
I mentioned I planned on going Full Frame and purchased the 1st FF prior to going to Antarctica last year. I feel the images from that system are so much better than the DX images. I dealt with the weight issues traveling through Buenos Aires! Then traveling to NZ and OZ I took only the D300 and DX lenses.
<<If so, remember the airlines are very strict on weight allowances these days. You may have to pay dearly for the luxury of having two camera formats and lenses to go with each format.>>
Yup, got that T-shirt!
<<If you use a third party camera strap that has carbiner-like clips at the strap ends then it means its' only a snap or two for the camera strap to be on or off the camera. I leave the eye piece and LCD screen protector in place when I put the camera in the housing. >>
I thought I had seen something like that in the past ... but could not find what I wanted at B&H. I was thinking the large metal or plastic clips may get in the way of the shutter or rear control knob. After surfing the Net for a couple of days, I found the OP/TECH Uni-loop system. Small unobtrusive loop with a quick disconnect. It also matches up with their Gotcha Wrist Strap.
I don't know anything about this stuff, but seems that carrying around a several thousand dollar rig may justify a back-up handle, as in a leash? Thoughts?
Incidently, I do have to take off the eye piece and LCD cover on my rig. I tired, but not enough clearance ...
<<Some how the effort involved in removing those three items every time I want to put my camera into its' housing, doesn't seem so laborious that I want to throw copious amounts of money into a second camera system to alleviate the pain.>>
I don't really want to carry the second format, yet after all that travel last year, preparing for Tonga and Fiji and buying the U/W rig ... I just can't get another body right now. Luckily, as yet I will not be traveling with dive gear. I sold mine 10 yrs ago and haven't gotten "wet" since. What was I thinking?
<<The more times you put your camera into its' housing and remove the camera from the housing, the more proficient you become and the less of a chore it is. You really have to trust your housing each and every time you dive with it, whether you carry a backup or not. A pooched camera still costs a lot of money even if you have a backup.
If you have a different camera model for topside and one for underwater than you are still diving with only one camera and housing (excluding some rare instances like Tom's two cameras) and no backup for underwater photography.>>
I get all that, but do you or other's actually travel with a single body? I'd hate to have my housing flood and have no way to take a single photo top side! I am also trying to figure out how to test the housing. It passed the "Tub Test", The "Pool Test", and tomorrow I will swim with the camera in the housing to get aquainted with shooting U/W. I do not know how to test the housing before I leave. Was contemplating putting the empty housing on the end of a rope and sending it down 100 ft. Of course, that would not allow me to work the buttons. I may do that, and if it passes at least I can do the surface stuff in Tonga then not take a camera on the first dive in Fiji.
Wow this is getting long winded ...
<<One other area you haven't touched on is supplemental lighting for underwater. Not all camera bodies use the same electronic flash algorithms. Do you intend to carry two sets of dual strobes because of compatibility issues between the different camera models. Just as an example, the number of preflashes can vary between the different models of a manufacturers camera line. Add an extra flash or two for topside use and you could be traveling with as much as six strobe units! >>
Good info. Along those lines, I did not spend the >$2500 on strobes. You cannot use strobes while shooting the humpies, so I am OK there. I'm just gonna have to slum it with non-TTL and manual set up using a single SB-105 which I already own.
<<Most, if not all, traveling photographers are looking to reduce their equipment loading and are trying to do more with less. I realize some people might take issue with that as a broad generalization, but if you ask around, you will find most photographers drifting in this direction.>>
Absolutely!
<<As far as the brainstorming is concerned, you may want to think of what your final use for your photographic images will be and work back from there by eliminating all the options that aren't needed to produce your final image. For instance, if your final intentions are to make wall size posters, then does it follow that video is a good idea, or would it be better to invest in a camera body with more megapixels and forget about the video options? Only you will know the answers.>>
Since you pose what has been hurting my head ...
I am a still Photog, I doubt I would ever (at least now), shoot video professionally. I would simply think it would be great to have that option, even with minimal quality, to share whales swimming, bears jostling, fish jumping, etc with friends and family.
I think if this works out as I hope ... I'll eventually end up going the FF route. Hopefully, the next prosumer grade FF Nikon offering, will have more MP's and video too.
For now, I am down to the wire and either have to take the extra body, a FF D700 and an extra lens, minimally a 28-105 to go with the 70-300 for surface shots, or bring my D2X, which'll mean the charger, batteries and such.
It will be interesting to see how much I can downsize from my "previous travel gear", to the latest with the HUGE housing and Monster Dome. One thing's for sure ... you guys are very helpful.
Thanks,