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Panasonic (GH4) manual white balance underwater

Started by dreifish ·

  • 7Posts
  • 7Replies

Read-only discussion

Panasonic (GH4) manual white balance underwater

7 posts
  1. How good is the manual white balance on the Panasonic cameras (especially the GHx series) for underwater use? Can you get rich colors without a red filter? If so, how deep?

     

    How do the Panasonics compare to the Canons? (I've seen some excellent white balance results without a red filter from the 5D Mark III -- can GH4 do similar)

     

    What about compared to the RX100? I have an RX100, and the manual white balance without red filter doesn't produce very good results below 5 meters or so. Are the panasonics/canons better? Or do you need a red filter with all of them?

  2. I'm finding the white balancing excellent for 10-30m.

     

    I tried to white balance at 50m - while it did accept it (no errors like many other camera would do) the colours were not good - but that is expected! :-)

     

     

    Sent from my iPhone using Tapatalk

  3. I have the GH2 (hacked). I've experimented quite a bit with MWB, and I'd say it's essential to have a good quality red filter (e.g. Aditech/Mangrove, or URPRO). I've had good results as deep as 30m in the Red Sea and tropics. I use a bit of white translucent plastic, like a sort of expodisc, in front of the filter, rather than a WB card.

    Cheers,

    Matt

  4. Matt, where does the red filter go with wide-angle lenses?

  5. Matt, where does the red filter go with wide-angle lenses?

     

    If you are talking about the 7-14mm - you can modify the lens and buy the rear filter holder from the 8mm and use it that way.

  6. Good question! As far as I've figured out, there are 3 options, each with its own disadvantage, depending on your make of housing and lens/port configuration. If you have a "proper" wide angle lens like the 7-14, then you can use the technique that thetrickster mentions. The disadvantage is that it's a bit fiddly. You could also use a clip-on filter in front of the dome, like Mangrove's CF-D127: , but this has the disadvantage that at shallow depths (e.g. less than 5m) you'll probably get reflections. Finally, you can use a screw-on filter, which is what I use with my PZ 14-42 lens. The disadvantage here is that it's a flat port, and the so-called wide becomes more like 19mm. Decisions...

     

    Matt

    Edited by matdiver1234
  7. Here is some great sample footage from the GH4. Some shot utilizing manual white balance, some using video lights. The in-camera slow-motion, and post-processing camera movements are also impressive!

     

    http://bit.ly/GH4_Underwater

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