Skip to content

Shooting Technique, Workflow and Editing / Archived topic

Photographing Silfra

Started by BC83 ·

  • 5Posts
  • 5Replies

Read-only discussion

Photographing Silfra

5 posts
  1. Hey hey

     

    I live and work in Iceland and get to dive Silfra every day, I have recently bought a new UW set up and was wondering if anyone has dived silfra and has any tips they might like to share as it's a tricky little place to get photo's that do it justice

     

    I have at my disposal a Canon 60 D with a choice of Tokina 10-17 with 8 inch dome or Sigma 18-70mm F2.8 with dome plus two Sea and sea strobes

     

    Any recommendations or tips appreciated

     

    Cheers

     

    Byron

  2. i shot it last year with a 5D3 with the 8-15 FE at 15mm. don't really need strobes.

  3. I was there in July - thanks to Valdi and Fraser for their tips and assistance.

     

    If you are able to dive Silfra daily, you have a good possibility of finding the optimum conditions:

    - a sunny day. Try different times of day to see when you get the most dramatic scenery that also shows distance in the clear water behind

    - You might want to try shooting angles where you place yourself close to the edge of a sunlit/shadow cast area.

    - Try shooting very close to the surface on a day with no wind to get either a mirrorlike or slightly rippled reflection of the scenery

    - You need a model (one or two) in the scenery to give scale. Perhaps one fairly close and anotherone siloutted further away, in a nice position.

    - Try to emphasize the airlike transparency of the water in Silfra, .e.g by showing empty water below the diver so that the diver seems to float in air.

    - Try to utilize how the color of the rock seems to change beautifully from orange to blue. i.e. consider having some rock close to the camera. For example a scene from some shallow or narrow part towards the deeper blue views.

    - You probably will not benefit much of strobes. However, the mass/inertia of the strobes and arms will help you stabilize your camera when shooting in ambient light. You could consider a tripod as well.

     

    In addition to Silfra, I am sure you are aware of the many other water-filled cracks in Iceland...

  4. Thank's for your replies, as far as equipment goes do you think I am best of with the Tokina 10-17?

  5. I do not have experience with either of the lenses you are querying. But with a cropped mode camera, the 10-17mm range seems more suitable than 18-70mm for scenery work.

Account

Navigation

Search

Search

Configure browser push notifications

Chrome (Android)
  1. Tap the lock icon next to the address bar.
  2. Tap Permissions → Notifications.
  3. Adjust your preference.
Chrome (Desktop)
  1. Click the padlock icon in the address bar.
  2. Select Site settings.
  3. Find Notifications and adjust your preference.