Last night I went to the pool to shot a drysuit specialty of the club and I had set the picture profile to s-cinetone in error
The results are quite good I can see why people would not want to go through slog however it does not have the same DR as log and actually a bit more noise
Thanks for sharing this, I am exploring the SLog vs S-Cinetone for my next dive whenever that is going to be and very curious to hear other people's thoughts on which one gives a better result. It will be my first time colour grading an SLog footage if I do go that route and I am not phased by it .
By the way I have a Sony A7IV.
Thanks for sharing this, I am exploring the SLog vs S-Cinetone for my next dive whenever that is going to be and very curious to hear other people's thoughts on which one gives a better result. It will be my first time colour grading an SLog footage if I do go that route and I am not phased by it . By the way I have a Sony A7IV.
I prefer slog3.cine2 for a variety of reasons The cinetone is almost correct out of camera and has less latitude in post