Hi and welcome to the new Scientific Photography forum. I see that there are already some very interesting posts! If you are a scientist, conservationist or educator and haven’t introduced yourself yet, please do so. I’d like to continue to hear how wetpixel members are using photography to discover new things and share marine science with the public.
Some uses of digital photography in science and education include:
The Cephalopod Page has been online since 1995 and started with film images digitized for the web. I discovered that many people are very interested in science including the details that get watered down, omitted or portrayed inaccurately by main sources. The internet allows scientists to put it out there as we see things. That got it started. . .
As a graduate student, I was part of a team led by Dr. Jennifer Mather that studied communication in Caribbean reef Squid in Bonaire from 1998 to 2003. This work was recently featured in the HDTV nature special “Tentacles†which has been playing on the Discovery Channel. Over time, we started to notice that the dot patterns, or star signs, on the dorsal side of squid were unique to each individual. We used to draw these on our dive slates and memorize them to identify individual squid. Different scientists would see and draw different things. Communication was a real problem; first of all, if you took your eyes of an individual squid, chances are high that it would switch places with one of the squids around it. Secondly, explaining complex dot patterns through a snorkel was, well, not exactly an ideal method. “Blag blapppfst gurgle!!!†translates to “loot at that!!!†which sounds exactly like “look at the Orion pattern on the lower left side of the third squid from the left’s mantel†when spoken through a snorkel.
Also, I wasn’t happy with the quality and cost of developing film on site or the one year delay if I took film home to develop it – by then all of last years squid would be long since dead. One year, James Wiseman let me borrow his coolpix. I could anticipate the squid’s behavior to work around the digital delay to get pictures of each squid. Then we all could retire to the base camp and over a beer actually talk to each other like normal humans - without a tube in our mouths - about the different patterns on the squid. This was great! And productivity picked up a lot.
But for publications, or anything fast, like the Jacks that prey on squid, it would be several more years before I put my Nikonos down. My name is James Wood and I haven’t shot film in at least 3 years.
I still use images for communication of science: in the classroom, online, in scientific papers. The Cephalopod Page, CephBase and the CephSchool Lesson Plans are examples of outreach projects.
I have also use image to record data. In one current project we placed octopuses on different background and took digital pictures of them. As each pixel is a bunch of RGB values, we can do real statistics to quantify how well they matched various backgrounds.
These pictures aren’t beautiful, but they do the job.
At the Bermuda Biological Station for Research colleagues use digital video and digital images to do reef surveys. We photograph set transects on the reef and then place random dots over a series of images and count the species that are under the dots. This is used to quantify what exactly is on the reef and can be compared between years for changes.
We are also collecting coral spawn and taking time series of the planula and newly settled corals. Believe it or not, this hasn’t been done for many species of Atlantic corals. These shots are done with a microscope and a coolpix.
In an experiment on how squid respond to predators, I’m taking a series of images to show people the behaviors that we commonly observe. Mere words do not begin to come close to describe what these animals are capable of.
And just for fun, I’ve been trying to capture bioluminescence of Bermuda Glow Worms.
OK YOUR turn
Dr. James B. Wood