It is very tough to separate ourselves from our images. We know what went into making an image; viewers have no clue, and judge solely by what they see.
Here's one that happened to me:
A few years ago (as happens here every summer) the area suffered from a huge forest fire, headed for the edge of town and houses.
Since I couldn't get a decent shot of the aerial tankers from under the trees, I dropped most of my gear, climbed up to the top of a tree, hung by one hand while I shot with the other, all the while the ludicrously slender top of the tree was swaying terrifyingly, in the wind, about 30 feet above the ground.
I did get the shot, though, of an air tanker dropping retardant on the fire.

When I got back to the paper, the Photo Editor took one look and said "So?"... "Where's the interest? It would have been nice if there were some houses in the image, or something. What's the story?" Although it ran p1, I felt about as big as a cleaner shrimp about it.
I was crushed. The bottom line... just because you went through really difficult contortions, or creative techniques, it's still the seen image that counts.
All the best, James