Hello again. On the subject of extreme macro 101:
First of all I would advice a new photographer to concentrate on using the 60mm on its own for a while before proceeding to add converters and diopters. After being comfortable with the 60 move on to the 105 and then after many months of shooting with this lens alone you may be ready to add a teleconverter which will reduce your depth of field dramatically, it will also make it harder to focus AF or manually and will also be very tricky to master from a few feet away on a minute subject. Your strobe placement will also be altered, as will be the power of your settings.
I would never advise on altering the ASA to obtain good exposure.
In film this setup worked using asa 50 so with digital there is no excuse as you are already starting with more sensitivity to light (200 asa). You should have more strobe power than needed, even with the loss of light through TC and working from a few feet away.
If you decide to go ahead and get into the extreme macro world you will need a to do a few things first.
I would personally only shoot in manual mode as the accuracy of where the sharpest point on the image would be for me to choose not the AF.
You will need a custom port to accommodate the TC of your choice.
I asked Aquatica to create a custom 3†extension port for my Kenko 2x teleconverter. I use this one piece extension with the flat port for 2:1 macro with the 105.
The idea is that Teleconverters allow you to double the magnification at the closest possible focus range of the lens being used without cutting your working distance. This means you can go to 2:1 using a 60mm at close range without getting twice as close to the subject.
As soon as you add diopters, whether internal or wet everything the rules change as you will have to move in to obtain the magnification desired.
The ideal scenario then if you wanted to go all the way is to start from a longer distance and add the TC to double the magnification then add all the diopters, physically having to move in up close….the result would be a large magnification at a working distance that permits proper lighting and doesn’t infringe on the space of your subject. Besides blinding it, you don’t want it to go disappear.
This takes years to master. Period.
In film the 60mm is totally impractical as its working distance is too close.
Because of the 1.5 conversion of this film lens when working in digital it is more like a 105 than a 60. So it works much better.
The use of the 200mm (300mm in digital), with TC and diopters is not practical at all for all but the most experienced shooters and for certain subjects. You have to look at the practicalities of all this. Holding a 600 mm with a 2:1 ratio is well, hard if not damn impossible underwater. The DOF is all but non-existent.
By the way. No matter what combination of lens, TC and or diopters I would never shoot anything but f22. No exceptions. The risk of a soft image is too great.
For film and digital shooters the 105 is still the best macro lens for small critters when you need to keep a little distance. The 60 can handle most up close work. The 200 is very impractical.
Hopes this helps.
Mauricio Handler