TimG

Hey Fabio! Great to have you with us. A very warm welcome to Waterpixels. Enjoy the forum!

That’s how you have to start, Jenny. Now you’ve introduced yourself you’re good go. The system is part of our anti-spamming attempt

Hi Jenny! Great to have you with us. A warm welcome to Waterpixels! On Roatan, I suggest you do a separate post about that. Funnily I asked about good diving in Roatan a short while ago to help plan a group trip. I only got one response - unusual from our members.

f29 is a pretty small aperture which lets in precious little light (and must lead to considerable image softness too). And 1/200 shutter speed is quite fast. Could you not use, say, f11 and 1/60? I doubt though you’re ever going to be able to shoot 10 frames a second with any strobe.

Hi Titanite! A warm welcome to Waterpixels. Great to have you with us. We hope you really enjoy the forum. Best wishes

I would have thought you’d get 2-3 shots - I usually do but have never really tried seriously long bursts - but of course depends on your camera settings: ISO, aperture, Manual/TTL etc. What are you trying to do?

Hi bennettj90 And welcome to Waterpixels. Good to have you with us. We hope you really enjoy the forum. Best wishes

Hey Zach! Great to have you with us. A warm welcome to Waterpixels. Best wishes

Hi rlonghitano! A warm welcome to Waterpixels. Great to have you with us. And congratulations on that post-kids back into the water thing! Best wishes.

Yep, snoots take a good deal of practice especially if the aiming light in your strobe is not in a central position in the strobe. It’s a bit hit and miss and frustrating. I found a snoot to be such a key element of macro photography that I sold my Inon strobes to get Retras which are brilliant for shooting when combined with their LSD snoot.

Nice work! A couple of thoughts. It’s one of those images where it’s hard to separate the subject from a similar coloured and complex background. For me, the key then is to try and create separation and an element of neutral space so that the subject can stand out more. This is especially true with the distinctive shape of a seahorse. I’d suggest shooting up, trying to position to shoot against the blue, a wider aperture to create less depth of field, and/or using a snoot. These are counsels of perfection of course (!) and none maybe easy. I know the location and it may well not have been possible but this is what I’d have been tempted to try.

Tom Kline is The Man for this and will, I’m sure, chip-in. Would a reef hook work?

Hey Brian! Welcome to Waterpixels. Great to have you with us. We hope you really enjoy the forum.