... why is a still pic 'art' and a moving image not?...
Well, that's just not true, is it? Most stills don't reach the (ill defined, I'll grant) level of art. I guess that I might have got close, once or twice, but most competition judges have chosen not to agree...
... it's just the same with moving images: I reckon that Cousteau sometimes got close, James Cameron (despite his appalling story-telling) has got there quite often, but Bob Ballard never got beyond engineering images. I don't think it's difficult to see why great moving images don't come along that often and why it's much more common to find short gems in longer sequences that don't quite hit the mark.
I also think that the way in which we look at moving images, the way in which we are drawn into the action, makes it difficult to step back from the images and look at them intellectually and analyse our emotional responses to them (instead of feeling them). There are so many other aspects to the moving image, as well; the flow from moment to moment, the story, frequently the addition of sound: all pulling out our attention. I believe that it's that distance from the image that lets us see it as art. That's easier with a still image.
Ooops! A serious response...
Tim
