I guess digital clipping will always be an item to care for, with any digital camera.
It reminds me of the same problem when changing from audio cassette recorders to digital audio recording: never go beyond 0 db, it sounds ugly.
in the analogue world clipping is smooth.
Therefore the histogram feedback is your peak meter for these kinds of shots / problems.
But digital cameras only have a contrast range of about 6 f stops (like slides, but they have smooth transitions). Even if you do minus exposure compensation it is often impossible to get the big contrast in the sensors range.
Especially if you were used to shot negative film it’s a big difference. Negative film is capable of capturing about 12 f-stops.
If you shot with minus compensation to keep the highlight clipping down, RAW is a good way to restore the shadow details as it uses the full 12 bit (4096 steps) of the sensor. But if a highlight area clips, RAW can’t correct it. A value complete white will maintain white.
Julian
:-) Die Leute aus dem „alten Europa“ werden nicht immer verstanden :-)