The issue with the LX10 is that the fixed lens telescopes a lot when zooming. The port on any housing has to be quite long if it is to accommodate the full zoom range.
When the LX10 lens is at 24mm equivalent the front element is retracted a long way from the front of the port. This results in vignetting and very soft corners in stills from 24 - ~36mm when shooting stills using wide wet lenses for 28mm equivalent lenses. The 36mm equivalent crop applied when shooting 4k video eliminates this vignetting.
I have tested and confirmed this using the LX10 in Nauticam housing using both the WWL-1 and AOI-UWL-09. I have not had the opportunity to test WWL-C but the Port Chart does not fill me with confidence.
Issotta are the only manufacturer that I am aware of that produces a LX10/LX15 housing and a user replaceable 67mm threaded short port:
https://www.isotecnic.it/en/products/compact-housings/panasonic-eng/panasonic-lumix-dmc-lx10-dmc-lx15-eng
https://www.isotecnic.it/en/products/compact-housings/panasonic-eng/panasonic-lumix-dmc-lx10-dmc-lx15-eng/m67-short-port-for-g7x-mark-iii-lumix-lx10-lumix-lx15-detail
This short port combined with WWL-C could produce good results at 24mm equivalent on LX10, although you'd lose the benefit of zoom-through with the compatible wide wet lenses. I'd love to see if someone has tested it. You need to swap to the standard port to enable the lens to zoom if you wanted to use close up wet lens.
This mandated port swapping on a compact system was the reason I sold the LX10 and switched to m43 and GH5. My wide and close up wet lenses and bayonet mounting hardware moved with me onto the Panasonic 14-42ii and deliver spectacular results with stills and video compared to the LX10. The versatility of the N85 port gives you lots of options for macro, wide and fisheye lenses.