12 hours ago, newdiver said:
Which bayonet mount or adapter do you use?
Re point number 2, what is the reason for not changing the lens to use macro in the water? Is it because of the size of the lens or any other reason?
What aperture do you use to get sharp images on the LX-10? Do you have to stop down to get sharper image? I have read and the Fantasea 09F has to be stopped down to get good results.
Thanks
I use the Nauticam M67 Bayonet II adapter (part 83250):
https://www.nauticam.com/products/m67-to-bayonet-converter-ii
The reason for not changing mid-dive is size/weight and because I can zoom in with the WWL-C in place (but not true macro). Once you remove it, you have to store it somewhere and hope either the front or rear glass won't get scratched. You could install one of those lens holders on an arm I guess, but it is a pretty heavy piece of equipment.
Most of my dives are wrecks and so I dive with the intent of shooting wide angle. If I see the occasional wolf eel or other cool creature, I just zoom in and take the pic. Will it be perfect? Nah, but I'm not shooting for the cover of a magazine either.
In terms of aperture, I'm still experimenting. Again, since a lot of my shots involve water or sand around the primary subject, it doesn't matter as much. Also, in Southern California on deep wrecks, I need all the help I can get in terms of light.
My general methodology has been:
1. Shoot natural light shots of the overall wreck with a wider open aperture just knowing the corners might be soft but also that they are generally water or sand
2. Shoot closer up features with a light (strobe or video) and close down the aperture.
Below is a picture of a turbo supercharger on a P-38 that I shot earlier this week in San Diego. It is 1/80th, f6.3, ISO 1600. You can see that the corners aren't perfect - but my real "focus" is on the supercharger so I don't really care so much. I actually had to stop down the exposure in LR by a full stop. So, in reality, I should have stopped down f8 when I shot the picture. Still learning.
This week I've got my Sony a6400 ready to go so I'll be shooting with the WWL-C on that rig instead and we'll see how it works.
