Turning live preview off is much better. I took some photos at Corsair dive site in Honolulu today. There are quite a lot of Backscatter in the photo tho. How can I avoid them?




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Turning live preview off is much better. I took some photos at Corsair dive site in Honolulu today. There are quite a lot of Backscatter in the photo tho. How can I avoid them?




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Looks like you may need to pull the strobes back further behind the port, it seems to be mostly on the RH strobe. Review the strobe positioning in the link I posted in this thread a few days back. Backscatter in general can be reduced , but maybe not entirely eliminated.
You have some odd water colour there, the last image looks best for the water. Try moving your colour temperature towards what you have on the last image.
I took another 3 dives. Tried all sort of different strobe positions. 2 & 10 o clocks slightly out. All the way up top slightly out or just light directly at the subject. The raw photos did not look good so I was really disappointed. Then I tried to edit the raw files to see what I got. To my surprise, they look much better after edit. An over exposed raw (the turtle and coral) can be edited to have much better white balance and exposure. The seal photos were all underexposed but i was able to brighten with different WB.
How do I get the strobe light to evenly distributed for The coral photo? The lighting looks brighter on the 2 sides and darker in the middle. I’ll find the raw photos to share later. They are night and day different. How do I take the raw photo to have WB and lightning correctly without the editing?






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1 hour ago, imacro said:
How do I get the strobe light to evenly distributed for The coral photo? The lighting looks brighter on the 2 sides and darker in the middle
I’m afraid there’s no magic answer to this - at least not one I know. It’s just a question of really getting to know how your strobes operate, how they spread the light and how you position them best for each and every shot. You know the standard positions: 10-2, 9-3, maybe pointing outwards slightly. It’s then using those or variants plus how close you are to the subject.
On the reef shot it looks as though your strobes are angled outwards slightly to the extent that there is a lack of strobe light in the middle.
But my experience is that “just” lighting the reef tends to make for an uninteresting image. Why not try lighting just one element and creating something more dramatic? Look for an interesting coral outcrop and light it against an ambient light background?
Hi imacro,
concerning the "reef shot" (2nd last photo): As Tim said the strobes were pointing too far outside, so that the center is not lightened as good as the periphery. In addition a long distance is covered in the middle of the photo and, according to the law of inverese relationship with squared distance, the lightnening drops off very fast with distance. Here the "rabbit ear" configuration of strobe arms may help to achieve more homogeneous lightening over longer distances (prerequisite is that the strobes do not point too much outwards)...
Wolfgang
So after multiple trial and errors, I found a good strobe position for me. That is to have both strobes behind the handles and pointing straight instead of slightly outward. Many photos from my last dive came out pretty good (compared to my previous photos) without any edits. Below are some samples with mostly just auto edit button in LR. I’d recommend to try out this strobes position if anyone is facing the same issue as I was.







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These shots are looking much better with the flash exposure.
5 hours ago, imacro said:So after multiple trial and errors, I found a good strobe position for me. That is to have both strobes behind the handles and pointing straight instead of slightly outward. Many photos from my last dive came out pretty good (compared to my previous photos) without any edits. Below are some samples with mostly just auto edit button in LR. I’d recommend to try out this strobes position if anyone is facing the same issue as I was.
nice shots and the colors are very pleasing!
You are much closer to the subject than in the previous pictures you posted, this counts as much as good strobe positioning !
Definitely being closer to the subject is key too. Thanks to you guys I dont feel too frustrated looking at my photos after the dives lol
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On 6/21/2021 at 1:52 AM, imacro said:My third dive, the WA shots are getting a bit better. I’m still struggling with the macro shots. I figured out the right exposure with Inon manual mode for macro. However, with ISO 100, SP 1/200, F22 Sony A7C, my camera screen is pretty much black at 50ft, when I half focused, the screen shows for like 0.5s so no way I could frame the shot. What am I missing in my setting? If I set ISO to Auto, it will almost always over expose my shots. Somehow, I still managed to get some shots of the small coral in focus with black screen below lol. I could not get any fishes at all, they all ran away when I get close to them. I went with a dive tour again so I barely have any time at 1 spot. Could someone help with the black screen issue? Thanks
If your screen is black like that, then you would probably do well to add a focus light. Turning off Live View lets you see the subject on the LCD screen, but it doesn't help the camera to focus. I'm shooting the same setup as you, but with an a7rIV, instead of an a7c. A focus light will help your camera focus and also let you see it on the LCD screen without having to turn off Live View.
Also, for help focusing on Macro subjects, you might try using the DMF focus mode with Focus Peaking. Press the button to get initial focus on some part of the subject, then move the camera slightly back and forth and watch the focus peaking on the screen to release the shutter when the part you want is in focus.
1 minute ago, stuartv said:
Also, for help focusing on Macro subjects, you might try using the DMF focus mode with Focus Peaking. Press the button to get initial focus on some part of the subject, then move the camera slightly back and forth and watch the focus peaking on the screen to release the shutter when the part you want is in focus.
That said, I have a thread (currently 2 down the list from this one) where I posted some photos from my last trip, where I was using my setup with the CMC-1 for the first time. All my macro shots were done using standard Auto Focus (Spot w/Tracking). I plan to experiment with DMF and Focus Peaking, as it seems like a better way to go for macro, but I haven't done it yet.
The point being, you CAN get decent results with the 28-60 lens, CMC-1, and normal AF.
Hey - there is a massive, and clear improvement from post to post of your photos. Well done!
Getting to know a new rig is trial and error, and lots and lots of practice so go you, you've done a brilliant job.
I shoot with an SMC-1 wet lens, man they are tricky buggers to learn. Especially in current / surge etc, focus can be razor thin. Definitely the advice of learning the macro rig without it first is a good one, or having a flip ring so you can remove it if it's frustrating you.
5 hours ago, stuartv said:
If your screen is black like that, then you would probably do well to add a focus light. Turning off Live View lets you see the subject on the LCD screen, but it doesn't help the camera to focus. I'm shooting the same setup as you, but with an a7rIV, instead of an a7c. A focus light will help your camera focus and also let you see it on the LCD screen without having to turn off Live View.
Also, for help focusing on Macro subjects, you might try using the DMF focus mode with Focus Peaking. Press the button to get initial focus on some part of the subject, then move the camera slightly back and forth and watch the focus peaking on the screen to release the shutter when the part you want is in focus.
The screen is showing black because there is not enough ambient light and at the chosen settings without a flash the exposure would indeed be black. The solution is to find the menu setting to turn on live view boost or whatever your camera system calls it. It's in the menus and it boosts the EVF brightness so you can see what you are shooting - the EVF no longer reflects the final exposure as it can't predict what the flash will do. Most cameras will then flash up for 1/2 a second or so the actual image taken - so you can tell for example if the screen flashes to black that the strobes didn't fire for example. This duration is usually adjustable in the menus.
A focus light will certainly help focus if it's very dark but not always necessary in this situation. Again this varies with the camera you are using.
Hi... I note your are in Hawaii - is there a problem with Crown of Thorns starfish there, given there is one in your pic? They have been a real problem here in Vanuatu.
Cheers
John
14 hours ago, ChrisRoss said:The screen is showing black because there is not enough ambient light and at the chosen settings without a flash the exposure would indeed be black. The solution is to find the menu setting to turn on live view boost or whatever your camera system calls it.
I understand all that. It was well discussed. My point was that, my experience with shooting a similar setup is that, if you use a focus light, you don't have to turn off Live View AND it helps the camera focus. Win-win.
The a7c will be somewhat different than my a7rIV, of course. But, I find that having a focus light (which I turn on and off, as needed) is very helpful, quite often. Maybe it's only the rIV and the a7c is much better, but my camera often has trouble getting a quick focus in lighting situations that SEEM like (to me) should be plenty of light. Maybe it's just low"-ish" light combined with reduced contrast from being underwater. Regardless, since I started using a focus light on my rig, I don't dive without it anymore. It comes in handy too often.
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