This is getting pretty off topic!
All domes used to be full hemispheres, until the real world advantages of a non-full hemisphere dome were realised. I was always told that Kurt Amsler, a Subal shooter at the time, was the first to suggest this, this being the difference between the ancient Subal FE port and Subal FE-2 introduced in the 1990s. Sea & Sea also adopted this approach around the same time. And possibly others before - the underwater photography community at that time was very segregated. Kurt moved to Seacam and they soon introduced the first 230mm super dome.
Anyway the 2 main features of a non-hemi dome is that with non-fisheyes it now means the dome represents a larger circumference dome and therefore the virtual image is further away, which brings many advantages, such as more depth of field to help overcome the curved virtual image (we always loose loads of depth of field when we focus close), making focus easier and keeping the lens focused at a distance where it works well optically.
Really off topic - I’ve long felt that the reason some Lenses work better underwater than others is based on how well they work optically at close focus. Close focus (sub 40cm - which is where most lenses must be focused behind a dome underwater) image quality is not a high design priority for wide angle lenses, and I think those that happen to fortunately retain good performance at these super close distances work better behind domes. We’ve talked about testing this with Nauticam, because wide angle lens manufacturers never publish details on wide angle lens performance at close focus, but have not got round to it.
Back on topic on the original off topic! A non hemi port with a fisheye is not overly problematic because 1 it is a bigger circumference dome - so you make those gains with the virtual image. The negs of being non-hemi are it starts to act very slightly like a flat port. Slightly reducing FOV, but so small on a fisheye nobody notices, and slightly introducing some pincushion distortion, which again is not really a bad thing with a lens that has massive barrel distortion.
So the big non-hemi dome wins with the virtual image and doesn’t loose much with fisheye performance. While smaller domes are easier to light and allow you to get the lens closer to the subject.
this is a recent Full frame shot take with 100mm dome. Shot at f/16 to try and have some reasonable corner performance

But ultimately a full frame camera will always be poorer for these types of shots than a smaller format. Which is why for years I have had a micro 4/3 camera, with a very small dome specifically for extreme CFWA.such as this.

Although this is now retired in favour of the even more extreme EMWL
alex