Everything posted by dentrock
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Sony 16-25 G
121, it's great that you are guarding the paramount of optical quality! Thanks! (Someone has to do it...) This subject has been covered ad nauseam in previous threads (and on the old site), so I'll be brief: 1. EP for Sony 10-20 is 45mm from lens flange 2. With APS-C Nauticam NA6400 housing, using N85 to N120 34.7mm adapter and N120 140 dome, distance from sensor to dome is approx 129mm. 3. 140 dome is 70mm radius so if you allow say 1 x radius from the dome, you have 199mm. As you say, published MFD for 10-20 is 20cm (200mm) so in practice that means you can focus to approx 70mm from the dome. 4. As I stated, my copy focuses to about 17-18cm for some reason, and I can focus to about 50mm from the dome underwater. Good enough for me, and who wants to squish a subject against their dome anyway? 5. With my newly acquired FF A7RC, distance to dome is approx the same, using a 25 mm N100 to N120 adapter, as the sensor to housing flange distance is longer in the Nauticam A7RC compared to the A6400 housing, by approx 15mm. The above satisfies the useful MFD requirements for a WA lens behind the 140 dome, at least for the Nauticam system. Lenses with MFDs >20cm may work behind the 140 dome, but the resulting underwater MFD is too long to be of interest. This has become a problem (if you want to stick with a small dome) with zooms where the MFD is fine at one end, but too long at the other. The Sigma 18-50 is a perfect example. Regarding the other important parameter (alignment of dome optical centre with lens EP), my measurements using these two setups put the alignment at +3mm for the A6400 rig and -2mm for the A7RC rig, which is as expected. (Minus means the port is to far out by that amount, which can't be fixed and is inconsequential anyway). Now 121, you may not like these conclusions but frankly I'm done arguing about them, and anyway I am reporting my real world experiences, which may not be 'paramount' to some. I'm not suggesting a FF Sony dude rushes out to buy the APS-C 10-20 mm lens, but it's a great option for Sony APS-C shooters. As I already own the lens, I see no reason to replace it with the Tamron 17-28, or in fact the new Sony 16-25, which both require the larger (180) dome. Frankly, given the limited zoom range of these latter two lenses, I would prefer to use a decent closer-focusing wide prime, such as the Sigma 17 or new Laowa 10, if I want to use the full 60 megapixels... or the 20-70 if I could be bothered with the 180 dome (not at the moment).
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Dome ports specifications why is it so hard??
The Nauticam N120 140 is not a complete hemisphere either. Its radius is 70mm but its height is 63 mm
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Sony 16-25 G
Couple of other points re Sony 10-20: internal zoom and focus (no extending); minimum focus is around 17cm AF (closer than advertised for some reason); PZ (must be short for painful zoom!) means you can actually zoom it with latest Sony FF bodies (not sure about 6700), although it's clunky. So don't need expensive zoom gear. For my work (mainly small boat and survey work), a rig the size of the 180 port is a no-no and will get smashed. Not to mention I need to be able to tuck it under my arm and write on a slate. I shoot almost everything at ISO 100.
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Sony FE 50mm f2.8 vs Canon EFs 60mm f2.8 vs Zeiss FE 55mm f1.8
In addition to those, you could consider: 1. Zeiss Touit 50mm macro. It's APS-C but can be used on FF if you can be bothered. Vignetting is reduced to small corners if you change from 3:2 format to 4:3 on your FF cam. However I suspect doing this affects the OIS system if that bothers you. In any case, it's still a great option shooting as a crop lens on FF. It's compact, superb optically, and has internal focus. Updating firmware to V2 is essential. 2. Zeiss 40mm CF. FF lens which focuses to 1:3.3. Also internal focus. Gets a bad rap in the (land) reviews for some weird behaviour up close, but it is also superb optically. Updating firmware to V2 helps. It's currently my go to lens for shooting everything while doing surveys, or anytime I'm unlikely to encounter big stuff. Even then, if big stuff is about, concentrating on head or other detailed pics is always an option. It has one problem - it will tell you things are in focus when you are closer than the minimum distance... when you review the image you see that wasn't so. Solution: familiarity with the lens (back off!). 3. There are a couple of 35mm lenses which go to 1:2. eg Canon; also Tamron. But the Tamron gets universal criticism for poor AF, so that's a deal-breaker for me. The point about these shorter focal length lenses is that with say 60 megapixels, substantial cropping is fine. I can shoot a 25mm goby with my Zeiss 40 and the result is acceptable for publication / ID purposes. If there was a decent 1:2 35mm option for Sony I'd buy it in a heartbeat, as then I could use it with a 140 dome.
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Sony 16-25 G
For those whose brains don't immediately conflate published focal lengths with FOV, it's 107 to 82 degrees. I had to dig far into the Sony website to find this... While of interest to some, M43 and APS-C shooters will chuckle at reviewers touting this lens as "compact". I'll stick with my Sony 10-20 APS-C shot in crop mode on my A7CR, using a 140 dome. 109 degrees...
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FS: Nikkor 16mm f/2.8 fisheye, Metabones V, Nauticam Nikon focus gears, Nauticam Tokina & Kenko zoom gear, bayonet converter
Another reduction...! 16mm Nikkor $400 All 4 gears and bayonet converter $300 the lot
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Olympus to Sony switch ?
Yes, of course wrt min focus. Thanks!
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Olympus to Sony switch ?
Phil, did you ever test the 20-70 with a 140 FE dome? Any good, or not practical at 20 wrt corner softness (and perhaps not enough room for the lens to extend at 70)?
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10mm Laowa full frame lens.
PS: I just noticed you have no arms! A man after my own heart, esp for macro and cfwa. It amuses me to see photos of photographers in action often with huge strobe arms folded in. Good to see you have a whistle for safety in the pool too... Thanks again for the details.
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FS: Nikkor 16mm f/2.8 fisheye, Metabones V, Nauticam Nikon focus gears, Nauticam Tokina & Kenko zoom gear, bayonet converter
Reduced as follows: 16mm Nikkor $470 10-17 gear 100 24-85 gear 65 105 gear 100 60 gear 110 Bayonet converter 35 (it's the older version) All in AUD with free post in Australia. Will do all 4 gears at 310 the lot inc free post. Thanks...
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10mm Laowa full frame lens.
Phil, many thanks for the detailed info! Will give it some serious thought. Still a nice pool you have there...!
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10mm Laowa full frame lens.
Thanks for the images Phil. When you have a minute, could you let us know how the AF compares (speed etc) with some of the better performing lenses you have tested (eg. Sony 20 f1.8 etc)? I'd also like to see how it performs with the Nauticam 140 FE dome, but not anticipating you will do that!
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Passport to Paradise - Bunaken, Bangka, Lembeh in North Sulawesi, Indonesia
Thanks Chris. If anyone else would like to jump in and say how crowded with divers (or not) Lembeh is today, that would be helpful.
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Experimental test for correct lens position within a dome-port
Thanks for a fascinating post. I will experiment when I get the chance, as I have a collection of 'spacers'! While we can get to a certain point by measuring EPs and aligning those as best we can with calculated optical centres for domes, a method to test the chosen dome position is helpful, and will allow us to see 'how close is good enough' (at different apertures).
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Passport to Paradise - Bunaken, Bangka, Lembeh in North Sulawesi, Indonesia
I am seriously thinking of booking a trip to these three Indonesian (North Sulawesi) destinations, using the 'Passport to Paradise' combo deal offered by Murex Resorts with transfers between them by dive boat. I was thinking of 5 days in each - maybe a couple extra in Lembeh which I've always wanted to dive. Anyone tried this Murex deal? Thoughts on how to split the trip eg. equal days in all three? Suggested time of year? And finally, I've heard that Lembeh is so popular these days that diving there is crowded and not so good any more. But I really want to get stuck into the muck diving there... Thoughts? Is Murex a good dive operator for Lembeh? Thanks in advance...
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Any experience with the Zeiss 50mm Makro on Sony E?
I didn't realise you were using the 50mm N85 N120 adapter. Your dome may be similar to my 140 fisheye. Using the 50 macro and 50 adapter, the mis-alignment with the 140 is -9mm, meaning the dome is forward of the exact alignment by 9mm. That should work OK, but I also had a 34.7 adapter, which I used more often. Performance was excellent with that combo. The benefit is for travel - you might get away with one port for macro and WA. You might want to measure your dome sometime. With my 140, the optical centre is 6mm behind the port face, so I allow for that in any calculations.
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Any experience with the Zeiss 50mm Makro on Sony E?
Glad the firmware is sorted. All three Zeiss lenses I've owned have had problems with their V1 firmwares and required updates. 34 + 40 is 1mm < 45 +30... it's very tight but hopefully will work for you. Sadly focus in air is no help. Suggest try a large bucket of water or the bath! I don't know which dome you have but it sounds like there is some built-in extension, if the lens fits atm in a 100mm fisheye dome. Either way, I'd try it with and without an extra 17mm. You may not notice the difference as narrow FOV lenses are pretty forgiving re dome position, although if it's a long way mis-aligned, you may not get the increased FOV provided by the dome, cf a flat port.
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Experiences - Sony A7Cii / A7CR
Worth reading through the "Stop me before I buy again" thread which covers the OP's original question among lots of other stuff. Save us repeating...
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Any experience with the Zeiss 50mm Makro on Sony E?
-7mm should read -9mm (meaning the combo is that much too long wrt perfect alignment of EP with dome optical centre). (For Interceptor...!)
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Any experience with the Zeiss 50mm Makro on Sony E?
A 30mm extension is required with the kit lens 45 flat port, for the Zeiss 50, as per Nauticam port chart. It is a tight fit. Don't forget to check the lens' firmware version when you receive it. If it's the original, you absolutely will need to upgrade (free through Zeiss agent; not a DIY job). The 50 works fine in a couple of dome combos I've tried: 140 dome with 34.7 N85-N120 adapter puts it within +6mm alignment of EP and dome optical centre, which is a good result. Using the 50mm adapter, the alignment is -7mm; still very good. The lens also works fine with the old Nauticam 6" acrylic WA port plus 50mm adapter plus 50mm extension ring, giving an alignment of +3mm. But that's a bulky solution. I am currently using my 50mm with FF A7CR, using 45 N85 port plus 20mm N100-N85 adapter. The difference in length arises from the fact that the Nauticam A7CR housing port face is 15mm further from the lens flange mount compared to the A6400 housing; a total of 28mm (cf 13mm) as also mentioned by Interceptor in his blog. If I want to use a dome with it, the 25mm N100-N120 adapter plus my 'do everything' 140 dome gives an alignment of +1mm. It doesn't get any better than that! If you want to try your Zen 100mm dome, assuming it's an N85 mount fisheye dome with no in-built extension, try with the same 30mm extension for the flat port. Should be OK but 40 is probably optimal. Doubt if you will see the difference though.
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FS: Nikkor 16mm f/2.8 fisheye, Metabones V, Nauticam Nikon focus gears, Nauticam Tokina & Kenko zoom gear, bayonet converter
Metabones V has sold - on ebay.
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Fisheye options for Sony APS-C
The OP also asked about converters. I have used the Sony APS-C fisheye converter with 16 APS-C Sony lens, but IMO while sharpness is fine for video, it's not good enough for serious stills. Stills for socials would be fine. So it depends on what the OP wants to do.
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FS: Nikkor 16mm f/2.8 fisheye, Metabones V, Nauticam Nikon focus gears, Nauticam Tokina & Kenko zoom gear, bayonet converter
Prices negotiable. Offers considered!
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Stop me before I buy again...
Depends how it's set up. Unless your jimochi can confirm that both cams were on the same settings (can be complex to set up initially), I wouldn't take much notice. When I went shopping (in an actual shop) I took my 90 with me and spent ages fiddling with the menus on the cams, as the shop assistant wasn't familiar with Tracking set up. My wife has an A7RV and its AF is same as my A7CR. But A7RV has much better EVF and is a better cam all round, but as I said above, housing is +1kg (and larger) if you go Nauticam, and body +250g or so. So that's why I went for A7CR. Each to their own, but if AF is really important to you (as it is to me), then get to know its quirks before you buy. I had 4 years practice with my A6400. A7RV is more expensive, although price diff between the two cams not so much at Boxing Day sales. No Boxing Day sales at Nauticam!!! (I think they charge by weight, so A7RV housing is more expensive too...)
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New Sigma 15mm f/1.4 fisheye - a massive disappointment?
Does anyone ever handhold a big tele without supporting the lens with your other hand? As someone who shoots teles occasionally, I can't see it... If you took this fisheye underwater, the lens would be unsupported in the housing, although I suppose you could chock it in the port somehow (yuk for changing lenses!)