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Davide DB
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Viewing Topic: What does EUR4000 get you (WACP-C vs 8-15 TC2x) -
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Everything posted by Davide DB
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New AOI UWL-03 Pro Wide Angle Correction lens for Action Cameras
I just saw it on FB. We will get more info in the next few days, I guess. What's the difference from current one?
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Hi from Tennessee
Welcome aboard Bryce!
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Sony 90mm + CMC?
Could it be he was working in crop mode?
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UR-Pro filters info?
Oh my Gargamel! You are close to creating the formula for the philosopher's stone! P.S. the formula for creating the philosopher's stone involves, in addition to mercury and sulfur, six smurfs boiled in snake venom...
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Shooting action-cams with a "red" filter in flat profile, and manually white-balancing in post-production
As @bghazzal's tests have shown, certainly in a real dive having at least a “flat” starting image helps a lot with color correction but in my case it was practically like shooting out of the water (50 cm in fresh water). Under these conditions, a GoPro already gives its best with classic settings. There was almost no color absorption, and the color differences between the various GoPro, shooting the same scene, were due to the different orientation relative to the sun. So it was enough to set the WB to 5000K (sunlight) and everything was more or less fine. Another nasty blow was to realize that filming the same static scene at 1080@50p with a GP5, GP8 and GP11, color aside (easily adjustable in post), the quality of the shot was virtually the same. There was not this abyss that we are led to believe by the hype. In the most extreme cases, a pass of Topaz and the shots were identical. Sad but true. I have seen several videos with mind blowing creative looks obtained from the Log files but these examples only show that it is possible to work with it but none demonstrate that it cannot be done from the standard Protune settings.
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Canon EOS C80
The camera that replaces the C70. Basically a C70 with the sensor of the C400. It has native triple ISO (800/3200/12800) and also built-in ND filters. Nauticam makes the housing for the C70 so it is likely they will offer one for this one as well. The only major flaw is that 6K@30p in raw is full frame while for 60p it goes down to 4K S35 so cropped APSC. In MP4 codecs it is a S35 @4K camera. It is basically a 4K S35 camera.
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Shooting action-cams with a "red" filter in flat profile, and manually white-balancing in post-production
I don't want to sound like a pessimist, but I'll tell you what my impression was in an admittedly very limited use case. Basically I had 2 GP11s, one GP8 and two GP5s, shooting the same scene in 50 cm depth. I started enthusiastically with gopro labs fw, 10 bit, high bitrate and log profile. My buddy was very skeptical and left his GP11 pretty much standard: 10 bit color Natural. Both had fixed WB 5000K. We wasted several times doing color correction and grading of the gopro files with all features enabled only to arrive, after much effort, at the same quality as the standard one! I basically removed all the extra settings. By the way the GP with the high bitrate also consumed more battery while the most important thing for me was just the battery life. In the end we left the gopro labs fw only because it was convenient to configure the various gopros on the fly with a ready-made qrcode with all the settings and exact time. Again, maybe in another scenario the result would have been different (getting a creative look) but I remain very skeptical. As much fun as it can be to do the experiments, in the end no matter how hard you try, the sensor is what it is. The real mojo of these cameras is in the marketing.
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Fake or Real?????
Always give credit/source when copying media from internet, please!
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What do you carry your camera rig in?
Ah so I misunderstood you. IDK exactly. A fabric store (haberdashery?) or even a tailor might help you.
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What do you carry your camera rig in?
Closed cells PVC, Polyurethane or Polyethylene foam. Foam pads/mattresses mostly of Polyurethane I guess.
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What do you carry your camera rig in?
Now I'm using a spare car rubber carpet I had in my garage. Exactly the same box's bottom dimension but this is a good idea. I didn't know they exist. Thanks
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GoPro Hero 13
Guys with the iPhone 12 and Lightning connector 🤣🤣
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GoPro Hero 13
Yes for example the new Canon R5II has new more powerful batteries but still the old ones are compatible. Only the heavier codecs and resolutions are reserved for the new batteries. Yes! https://www.europarl.europa.eu/news/en/press-room/20220930IPR41928/long-awaited-common-charger-for-mobile-devices-will-be-a-reality-in-2024
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Once It Was All Countryside Here
Thank you Ben, Actually, the damage that can be seen now in every ocean is such that even those who dive in a vacation spot once a year notice the differences. Absurdly, it is almost harder to notice if you dive often. It is like parents who do not notice how much their children have grown because they see them every day then a friend or relative who has not seen them for a year comes along and exclaims Wow! But the most insidious thing is shifting baseline syndrome. People who start diving today think that the sea has always been like this. I thought so in 1990. This assumption that things have always been this way has a huge psychological impact on our perception of danger and change. Each generation assesses its surroundings with a different starting point. Not to mention the Mediterranean (I understand that in the forum it is partly incomprehensible to most), I was in the Red Sea in Sharm in 1993 and I can assure you that in Ras Mohammed and Yolanda reef was full of sharks. In 1998 I went on a cruise to Sudan and night diving was prohibited because of the danger of sharks. During the day, all dives within 30 meters were accompanied by dozens of sharks, and several times we had to shelter on the reef because the longimanus were particularly nervous. Of similar comparisons, Members in the forum will be able to make many more than I who have always been a local diver.
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GoPro Hero 13
Yes, it's true that they are cheap compared to batteries in normal cameras, but anyone who uses gopros has at least 4/5 of them because they don't last at all and they run out even if you just keep them in the action camera. But what bothers me most is this constant meat grinder. For no apparent reason a manufacturer changes the shape of the batteries and poof! In no time at all, hundreds of thousands of batteries (and associated chargers) are to be thrown away. I am not a radical environmentalist but this reminds me of the smartphone charging cable issue in Europe. It seemed impossible for everyone to adapt to USB-C, yet here we are. Then Gopro will explain that there are insurmountable technical reasons in much the same way as Apple whined about its Lightning connector. A drop in the ocean, sure, but it is precisely this throwaway mentality that is 'our' problem. I am naive, but I dream of an advertising campaign in which the company boasts that it has not only succeeded in making a 20% more powerful battery, but that it has taken special care in the design so that it is compatible with previous models. In 2024, I would expect these to be the values to retain customers. And yet if Panasonic presents the G9II with the same body as the S5II and the GH7 with the same body as the GH6, they are accused of being in financial crisis if they fail to differentiate their products. We really are the problem.
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Once It Was All Countryside Here
Through our eyes as divers and videographers, we have tried to tell what is happening in the Mediterranean. Changes that are not always understood by the public. P.S. Sorry if this is too sad Once It Was All Countryside Here
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Once It Was All Countryside Here
Text and images: Davide De Benedictis - Claudio Valerio Cover photo: Marco Bartolomucci If we told you how long we've been diving, you'd immediately know how old we are. We'd just tell you that we've been diving for a long time and that our passion for the sea has always been a part of us. We've spent most of our time in the Mediterranean, and by diving year-round, we've seen the gradual changes in the sea we love the most. A while back, we observed some novice divers during our decompression stop and wondered what it was like for them exploring the seafloor. Are they aware of the changes they're witnessing, or are they unwitting victims of shifting baseline syndrome? Unfortunately, this is what we've been observing for years in the Mediterranean during the summer: a carpet of mucilage in the first few meters of depth. The video text is based on Greta Thunberg's famous speech at the Youth4Climate event in Milan in 2021. This speech, with its great impact and appealing style, has been used in lots of different contexts. However, to my knowledge, it hasn't been used in relation to the marine world. When we were editing the images, we thought of the old saying "Once it was all countryside here", which makes you think about the past in a nostalgic way. But even the most overused clichés have a grain of truth. To paraphrase the cliché, we could say that "Once it was all sargassum and Cystoseira here". These seaweeds, which are common in the Mediterranean, were an important part of the marine ecosystem. There were large groups of Sargassum and Cystoseira, which alternated with Posidonia oceanica bushes and seafloors covered with calcareous algae (maerl). Some of the algae were the size of a fist. The bottoms were also decorated with white gorgonians, which are typical of these shallow waters. Today, although these species are still present, many of them are difficult to observe and suffer from a thick layer of mucilage covering them. This is now so common during the summer months that only those with long diving experience, or observing the seabed in winter, can tell the difference. When we showed these images to a non-diving audience, even though we had a marine biologist explain them, they were still pretty skeptical until we showed them exactly the same places filmed in winter and spring before temperature rises. Then they finally understood what we were talking about: These two short videos show how challenging it is to communicate the changes taking place in the oceans. The warming waters and human activities are affecting underwater ecosystems just as much as they are affecting land ecosystems. But underwater, the problem is even more pronounced. There's a lack of historical data, which makes it tough to grasp how marine environments are changing (again, it's the shifting baseline syndrome). Plus, our direct experience of the underwater world is limited. Everyone can see the effects of fires in the Amazon rainforest on the news or watch the urban landscape change from the car window. But what's going on underwater? This is why it's so important to communicate the importance of marine ecosystem conservation in a clear and urgent way. This is the challenge we're up against. Given the lack of inspiration in our recreational diving, we've been wondering if there's somewhere where these changes haven't happened yet. It's probably the so-called "mesophotic zone or twilight zone", which is the bathymetric range in the Mediterranean from fifty to one hundred and twenty meters deep. As depth increases in this zone, plant life gradually makes way for animal life due to the decreasing levels of light. Recently, this zone has become really important for studying how climate and human activities are affecting our oceans. It's a completely undiscovered world that could be home to species that could be valuable resources for addressing problems related to global warming and overfishing in the surface marine zone. The trailer on our Underwater Italy channel gives you a sneak peek of the mesophotic seafloor of the Mediterranean. A while back, whenever we talked about our passion for deep diving, the response was always the same: "Why go to the trouble of going deep when there's so much to see here on the surface?" And then, of course, there was the inevitable warning about the dangers of deep diving. How could they be blamed for that? Back then, going beyond the limits of recreational diving was all about deep air and not much else. As it turns out, today in the Mediterranean, we can only observe intact ecosystems through deep diving, and the tools of technical diving allow us to do so in reasonable safety. However, even in these environments, things are changing. For years, we've been seeing signs of suffering in marine animal forests, even in the shallowest parts of the "mesophotic zone". This shows that the effects of climate change are constantly evolving. Here's an example of what's happening to some of the seabed in the Tuscan archipelago, between 50 and 70 meters deep. It seems that the damage is not only proportional to depth, but probably also depends on other factors such as currents and the morphology of the seabed. To get a full understanding of this phenomenon, further scientific studies will be needed. As divers, our role is simply to observe. It's crucial that we keep an eye on these changes in marine ecosystems and keep documentation up to date. Every observation and piece of research helps us to understand our underwater environment better. It's essential that we pay attention and put in the effort to adapt our conservation strategies so that we can meet the challenges that climate change poses. It's an ongoing process, but it's vital to preserve the wonders of the sea for future generations.
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bonfire dives (light-trap dives)
From what I can see @ 2'58" they put the lights as in a normal BW and, given the shallow depth, the seafloor gets completely enlighten.
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bonfire dives (light-trap dives)
I found this:
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Underwater Custom 18.7K Cine Camera
I knew that only YT was able to display 8K. IDK if Vimeo filled the gap. The big advantage going from 8k to 4k is reframing and oversampling. Pawel Achtel is famous for his custom lens and camera for cinema use.
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Roatan, Honduras
I thought the same but it's not. Have a look at this thread:
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Getting the most out of Olympus 12mm 2.0
I would be curious to see it inside the cheap 6" polycarbonate dome. I'm afraid it will vignettes. The lens is only 43mm long while the 12-35mm is 74mm. The 6" dome has a long collar. I have the dome but IDK anyone with that lens.
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GoPro Hero 13
In few days we will be overwhelmed by such comparison videos 🌊 1" sensor has a minimum focus distance problem yet. IDK if underwater it will be worst. If going full GAS, DJI seems to me the best option for uw use but in the end IMO I think that steady hand/good rigging, good CRI lights and editing are still the best friends for our passion. @PeterN latest video is the proof!
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GoPro Hero 13
Judge by yourself
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GoPro Hero 13
Absolutely not. I bought the gopro 11 for a specific project and in my spare time I use it to play with the family. I chose Gopro for the third-party accessories. I needed additional underwater batteries. Now, seeing what they did with the new battery, I think I will never buy gopro again in my life. The new more powerful battery fits perfectly in the old gopro but they reversed the connector to force me to buy new gopro. Many years ago, Google's motto was: don't be evil We know how it ended.