Chris Ross

Have to agree, on land I don't often use high frames per second and in water I'm always on single shot. The other consideration is hours of sifting through near identical frames when editing after the dive. I'm sure there are situations where you could make use of the high frame rates, but not a big priority for me.

For most practical purposes as long as the the flash duration is less than your sync speed it doesn't matter. In some situations where you want a very short flash duration to freeze motion it may make some difference. For example using the old YS-250 at full power with a duration of 1/50 would not be that effective in stopping motion blur as an extreme example. As for HSS duration may make some small difference, but when using HSS the pulses are all very short - just like very low power pulses so you will not be up against the the maximum duration. For example if you were trying to HSS at full power which is the longest duration you would only get one pulse and the flash would need to recharge. HSS emits a great many very low duration pulses during the shutter travel time, so each pulse is nowhere near the duration of a full power pulse.

It's strobe lit, they match the kelp really well without strobe lighting, the Sydney ones are particularly colourful.

Yes Rapid Bay is good for Leafy Sea dragons, however weedy sea dragons are not common there. The water there is also cold in October.

You can just take a constant zoom ratio (50/24 * 10 = 21) but that doesn't hold between fisheye projections and rectilinear ones. I did some calculations and it appears that the WWL-C follows something close to a stereographic fisheye projection and you can calculate horizontal and vertical field from that: What Nauticam quotes is a 130- 72° diagonal field which is equivalent to the diagonal field of 10-30mm lens, if you compare the horizontal fields it matches the field of a 12.2 - 31mm lens with a slightly smaller vertical field.

I've never dived Flinder's Pier, The image I posted is from Kurnell in Sydney. They are not really all that seasonal, in my experience. The image posted was taken in December. I note that you are from Singapore, so you might not be used to cold water diving. The average water temperature in October at Flinders is reported to be 14°C so a bit chilly, particularly if you are not used to it. Kurnell at this time of year will likely be warmer - something around 16-17°, but it is quite variable. The difference between 14 and 17°C is significant in that you will really notice the difference! You would need a minimum good quality 7mm wetsuit - the rental suits at least those they rent around Sydney are often in average shape. Plus gloves and hood or hooded vest. Regarding Leafies, they are not generally found in Port Philip Bay, best spot is Rapid Bay Jetty south of Adelaide.

I don't think anything equipment-wise is needed. Photo could be a tad brighter, Main thing I would suggest is approaching from a different angle so you don't have the hydroid cutting the fish in two. If she is not using astrobe that is an obvious first step, an INON S220 seems like a good strobe to suggest for macro work.

Basically when I say the lens is at infinity it means it is focused to infinity, so in simple terms the distance scale shows infinity. When the lens is at infinity focus, it is the minimum magnification and maximum working distance you can achieve and in this particular example the working distance is 93mm with the SMC diopter you mentioned as indicated on the port chart. It can then focus all the way to 1:1 on the lens which with the diopter gives you 2.2x and 45mm working distance.

I agree however the biggest issue is that the more complex lenses tend to be fast, with big front elements and the manufacturers don't make versions of them that have the entrance pupil in the range where it is compatible with the WWL/WACP series of wet optics. An additional consideration is that to achieve the resolution some of these newer wide angle lenses are capable of everything needs to be near perfect, and this would include not stopped down too much, good entrance pupil position in the case of domes and not shooting through too much water.

The WWL is a 130° field on the diagonal axis however it is stretched significantly more in the corners due to the barrel distortion. The horizontal field works out to be about that of a 13-14mm full frame lens. It is equivalent to a 10mm or so rectilinear lens only on the diagonal. I would think using the horizontal field which has a slightly magnified image scale as input to the stabilisation routines would probably be the best bet as it is the effective focal length for most of your subject.

Travel insurance got the extra flight expenses, accomodation expenses and the resort gave me a full credit and I booked again in May. Hardest part was getting Air niugini to let me use my flight credit for the domestic leg. The diving there is great., pretty warm and humid topside, made the splash into 30 deg water seem refreshing.

In general yes, but in trying to deal with the virtual image they create in effect a flattened version of it and also increase the field coverage. The net impact likely depends on how the lens in question copes with the new image being fed into it by the wet lens. One example is field curvature in the base lens may cancel out some of the curvature of the virtual image or is the curvature is in the opposite direction may make it worse. The original premise when the WWL was first created was that the dome optics degraded the image to an extent that the properly corrected kit lens could out perform a premium lens like a 16-35 f2.8 optic when it is placed behind a dome. Some of the analysis done on these forums indicates however that this is not always the case it seems. The de-magnification done by the wet lens also shrinks the image scale which also means the aberrations are also shrunk along with the image so become less noticeable. Of course depending on how the lens interacts with the wet lens it may introduce its own abberations.

Some More images: A Square spot Anthia, likely it was at a cleaning station: More Pink anemonefish: A busy scene with Clark's Anemonefish at 30m on Kimbe bommie. Baitfish schooling : A WWI Japanese zero fighter wreck in 17m, quite close to shore:

Travelled to Walindi Plantation resort in May, it is located on the island of New Britain near the town of Kimbe in Papua New Guinea. Getting there was relatively easy with a flight from Sydney to Brisbane (1 hr) and then connecting through to Port Moresby, the PNG capital (3 hrs). A domestic connection through to Hoskins airport followed, about a 1 hr flight. Connections on Air Niugini can be troublesome, but my flight left maybe 1 hour late. The resort then picked up passengers for the 1 hour drive to the resort. The resort has a series of comfortable bungalows and individual rooms on site, there is a central area with the restaurant, a pool and an air conditioned lounge, looking out over the scenic Kimbe Bay. Food was very good and plentiful. The resort is also the base for two liveaboard boats that travel further out to outlying islands. A great many volcanoes can be seen from the resort. This was my second attempt at getting there, the first ended when the Ulawan volcano erupted covering the area in ash the day I flew up. Diving is from smaller boats which travel out into the bay each day doing either two or three dives with lunch served on the boat. The crossings can be a little rough if the wind is up so picking the right season is important, I went in May during the doldrums and had quiet good conditions with mostly 20-30m visibility at the offshore sites. The closer sites has around 10m. A full explanation can be found on Don Silcock's website, this page gives an overview and describes the seasons: Kimbe Bay Diving - An Overview and The Best Sites | Indopacificimages The dive sites are mostly well out in the bay, a feature being the seamounts coming up to within 15-30m from the surface from very deep water and they attract big schools of fish with ach having a school of Chevron barracuda and another of Big-eye Trevally (aka Jacks). Plentiful anemones with their resident anemone fish and many schooling fish. Reef sites feature huge sea fans, giant barrel and elephant ear sponges and red sea whips in some locations and plenty of healthy coral. The walls mainly feature plate corals which maximize light capture, which are, sometimes not so eye catching. One site had a really large school of bottlenose dolphin that we saw playing on the surface and the boat put out nets where you could grab on and travel at slow speed with the dolphins coming in to check you out. I shot wide angle and CFWA for the entire trip though there was another diver on my boat who did mostly macro and was happy with what they found. I used the OM-1 with an adapted Canon 8-15mm fisheye in the 140mm dome. Shooting was relatively easy though there was a lot of particles (which is what attracted the large schools of fish) to deal with and on a cloudy day at 30m, not so much light. I shoot with INON Z-240 and found power a little lacking for the barracuda schools etc. Some images from the trip: Barracuda School at Bradford shoals: Pink Anemone fish Inglis shoals: From Kimbe North Reef Big eye trevally school Bradford Shoals: Not a great many sharks seen and they disappeared quite quickly, this Grey Reef Shark only hung around briefly on Kimbe bommie, shot at about 30m as soon as reached that depth on descent. Reef scene at Kimbe North reef, a great many species milling above the reef:

If you look up land based reviews you will find that the image quality gets an average quality rating and that is not going to get better underwater. The close focus distance is also a little longer than dedicated fisheye lenses. You could always look at an adapted SIgma 15mm fisheye which would be a little cheaper. The Canon 8-15 really does have quite good optical quality.

RRS stuff gear is generally top notch but pricey, I have a Novoflex rail which is really nice but see that the price for that has increased considerably since I bought mine. If you have an tripod with an Arca swiss style clamp you could even use a a long lens plate and slide it in the clamp. Google will find you lots of options at all price ranges if you search for focus rail. I believe what you outline is the method used by the manufacturers or at least some of them to come up with extension recommendations. Should be simple enough to do you would need a plate with a 120mm dia hole cut in in it and smooth enough surface for your o-rings to make a seal and add to to the side of a tank and pop in you port from the inside. Then of course working out a system for measuring camera flange to port flange distance and getting things squared and centred.

The top of the port also needs to be narrow enough to allow the Nauticam bayonet holder to screw on.

that would be this thread: https://wetpixel.com/forums/index.php?/topic/70081-worlds-first-isotta-housing-with-nauticam-wwl-1b/&tab=comments#comment-443823 You need to be signed in to see it.

Note I said the lens is at infinity - not the subject. When the lens is focused to infinty the focal plane is 93mm from the front element.

The basic answer is yes, it will come into focus anywhere within the focus range of the lens. The Nauticam quoted distances of 43-95mm, the working distance of 43 mm is at 1:1 and at 95mm working distance the lens is at infinity.

You could test 45mm extension for vignetting alone on land opening the housing back and pulling the camera back 5mm. It proves Massimo's statement that 16mm is the widest the 180mm dome accommodates and you need to put the EP ahead the centre of curvature to avoid vignetting at shorter focal lengths

there are other buy once options around. I use use Capture One Pro and like the way it works, you can do a lot of work prior to it doing the RAW conversion for you. I like I can adjust levels there- to me its the most intuitive tool to do black/white points and colour balance. Seems to me it could replace Lightroom quite readily, though the learning curve can be steep. You can also try Affinity photo, it's a one off price and cheap enough to just try it out, they had a sale a while back and I picked it up for $50. I tried it out, a bit different to Photoshop but quite capable. I never liked the proprietary catalogue system of Lightroom and was never tempted to try it out and never a fan of the subscription model, I still use CS6 for final finishing work, but getting it to activate on Win 11 is a challenge I haven't overcome on my new laptop.

HSS is often setup from the camera menus as the camera is the thing that needs to change sync timing. It should be in the same place where you would select HSS with a land based flash.

Thanks for the update, I couldn't find it anywhere on line, it's not on the extension port data pdf and no photos or specs on the websites.

The 48461 should be about 10mm longer than the 48462 so about a 49-50mm extension. This is based upon the difference in recommended extensions between the acrylic and glass port