Chris Ross

That's pretty bad if that's what happened. Don't know what your boat arrangement is but I generally have the crew take my camera get out then as soon as I've dropped by dive gear go and grab the housing to keep other people doing bad things to it. When travelling I've been taking a collapsible cooler bag, on the local dive boat in Sydney I have my own tub, so I can look after the gear myself. I know it's 20/20 hindsight, but I'd much prefer to be the one looking after my gear on the boat.

It'll certainly work on an APS-C unit. Feel free to drop a PM.

I don't know that the 15-45 would necessarily be sharper than the 10-24 in a dome, only could happen if it was significantly sharper in air at least in the centre. Having said that rectilinear lens is not really a substitute for something like the WWL which has barrel distortion and goes wider and I expect probably focuses closer, though at 240mm min focus the 10-24 shouldn't be too bad. I would also try to check why it showing a black dot, try pointing it into a light source and taking an image to see if it flares and try as Dave suggests to see if will polish off. Also give your dealer a call to see if you can get a quote for replacing the dome. I see a complete WWL-C is cheaper than a 180mm dome in N100.

I tried using it to see if I could focus stack UW and it behaved quite differently there as it was on electronic shutter I think and fired very slowly, but clicking for each frame it behaved quite differently, like it was saying you can't possibly expect me to keep up with sequential shooting even though it was barely discharged and would have fired if you could click the shutter button fast enough.

sure no problem I think the main expense then would be domes to house them as they will need a bigger dome than the 10-17 - but maybe you already have that.

I know it's crazy expensive and annoying, but I'd still encourage you include it in an analysis to work out the best value of any rig you set up, you are still cheaper than your full frame option in Nauticam and FF doesn't readily allow you to use something like the Tokina 10-17. A quick back of the envelope calc shows camera/housing/adapter to be $1500 less than and R6II plus housing and $5K less than an R5II with housing all in Nauticam and that's before considering you would need to buy new lenses, maybe extensions etc to get a fisheye solution in FF. It's too bad Isotta doesn't do an R7 housing. All new prices pulled from the web in Australia. For info the way the Nauticam setup works is that you use the R100 Canon port chart which advises that you use the N100-N120 adapter then refer to the Canon EF N120 port chart where you use the same ports/extension rings and zoom gear that used with your previous housing and lenses. So if you went that way it you would only need the Housing/camera/N100-N120 adapter plus a flash trigger and you could kick off using your existing lenses. It's hard to see anything else competing as anything else needs new lenses and possibly ports. You could get an OM-1 for similar money including buying the macro port and lens but you'd still need an expensive N85-N120 adapter and a couple more bits and pieces to get a complete setup. So if you plan to use your existing EF macro and Tokina 10-17 I think It's probably no contest for the r7 solution and biting the bullet on the expensive adapter, compared to anything else you might do. You are missing a video lens, and while fisheyes and video aren't a common combo and I have seen many times people say something around a 16mm rectilinear is good for video and the Tokina zoomed between a 16-22mm equivalent would probably be fine for wide angle video as the fisheye distortion is equivalent to what you get with a WWL which many people use for video quite happily. The barrel distortion decreases quite dramatically as you zoom in.

Some links that might be of interest, A test of the Canon 24-50 with WWL-C, optical quality maybe not the best: https://waterpixels.net/forums/topic/1438-testing-nauticam-n120-port-extension-for-140mm-and-180mm-domes-with-wide-angle-lenses/#findComment-8505 This is the N100-N120 port adapter on the local distributor's page, quite pricey: https://www.scubapix.com/ports-gears/extension-rings-adaptors/n100-port-adaptors/37305-n100-to-n120-35-5mm-port-adaptor-ii-for-na-a7iv/ To add to the notes on the fisheye options, the Canon 8-15 and Tokina 10-17 works well in either a 100mm Zen dome or the 140mm dome particularly on smaller sensors. The Canon is particularly sharp but only works from 10mm to 15mm on APS-C - at 8-10mm you are sort of half way between circular and full frame fisheye but you can lock that out mechanically on the lens. They also both work well with 1.4x converters and Nauticam has zoom gears for that combination on both lenses. On the topic of the dome for the Tokina 10-17, Zen has a dome specifically for this combination, it is however just a 100mm dome with built in extension and you easily add an extension ring to the standard N120 100mm dome. The fisheye zooms on the smaller formats are an excellent option IMO, you can go from a classic 180° diagonal fisheye through to the coverage you get with a WACP/WWL , just missing a little on the long end, so it can swap from reef scenics, to big animals to CFWA to wide angle macro on the same rig. Also IMO the Canon 8-15 does even better when adapted to m43 and goes even closer to covering the range of the WWL as well. One thing to note is that the N100-N120 adapter has a zoom control knob and you will be using this with EF adapted lenses rather than the housing control knob. I would suggest pricing up some options in a spreadsheet including all the things you would need - ports extension rings, zoom gears etc, they can add up. FYI here's a table I'd prepared previously with fields of view of various fisheye zoom combination: Uploading Attachment... The horizontal field of view is better for comparisons than the diagonal as fisheyes stretch more in the corners. The final column is the equivalent rectilinear lens focal length. By way of comparison the WWL/WACP does 130 - 60° diagonal field of view. If you want to see some images shot with the 8-15 and an OM-1 this page on my website is 100% shot with the 8-15: https://www.aus-natural.com/Underwater/Walindi%20Resort%20PNG/index.html

Well, no, the argument is that FF is not really needed, it costs more and the way most people use their images they would struggle to pick the differences. Video likewise a smaller sensor that uses the full sensor without cropping is perfectly fine for every thing, unless you are working on the next blue planet. Sure if you can afford it go right ahead but recognize the extra costs and also the larger heavier equipment. Whatever you do make sure your system has the full range of lenses you might want to use available. On new bodies being better my view is that the 7D to the final DSLR iteration was a reasonable stepup, after that it's really incremental, what has been expanding is readout speed and computational photography- some great stuff coming through but a lot is not that applicable for UW.

You are right there are multiple options these days, though the camera makers are gravitating towards full frame and that could be quite expensive as the housings cost quite a bit more in some cases and you tend towards more expensive wide angle solutions. Unfortunately their smaller format options are relatively limited. I would start with asking the following questions: What are your main targets - macro - wide a mix of both? video? Flexibility during a dive? what do you do with your images - post online? commercial sales? giant prints? What do you see might be improved over where you are now? The R5-II will cost about $2k (AUD) more to house than an R7. But Nauticam have gone to the N100 ports which are more limited and can need the very pricey N100-N120 adapters depending on which port you go for. Marelux also does an R7 housing and is slightly cheaper. Isotta housings are a bit cheaper still but they don't seem to do an R7. Isotta use an N120 port and any Nauticam port you have that has a bolt on lug ring can be converted to Isotta by changing out that lug ring. The Canon 7D MkII is a pretty old camera now, so I would expect that the m43 sensors would easily beat it out in image quality, I shoot the OM-1 in Nauticam, Isotta is also available, this housing is about $1200 cheaper than the R7 housing in Nauticam. The ports are also quite a bit cheaper as are the lenses. I recently upgraded to an adapted Canon 8-15 fisheye with 140mm dome. This is an excellent wide angle setup, it goes from 180° diagonal fisheye to a 28mm full frame equivalent rectilinear field and focuses right to the dome. To have that flexibility in full frame you need the very heavy/expensive Fisheye conversion port, though in Sony you can do something similar with a Sony 2x and metabones MkV adapter. the OM-1 would also be a great solution depending of course on your uses for the images, though a lot of people shoot it professionally. On the topic of buying a new rig, I expect that you might find it significantly cheaper to buy from the Australian distributors, Nauticam in the US has gotten quite expensive (tariffs). For example the R7 from Scubapix is $5200, while at Backscatter it is $4100 USD converting to AUD that's ~$6600, then add 10% GST plus shipping plus fees you will be looking at near to $8K landed.

Welcome onboard Kristin, good to see you here.

No problem, note though that you could do the z8 and 24-50/WWL in Isotta as well and that combo is around 1kg lighter, probably save some €€ as well.

It sounds like you have used a bit of UW rented gear? What did you use then and how did it go? From what I recall reading on site here the 14-35 performs better UW mainly due to the closer focus distance. I think I recall some test shots being published . I would suggest you seriously look at the wet lens options if you want to shoot wide apertures UW, the unsharp portion can be significant if you go to particularly wide apertures. They have some barrel distortion , but you just need to watch for straight lines close to the edge of frame and becomes progressively less noticeable as you zoom in. I agree the 230mm will be better for splits. Regarding your buoyancy question, the standard method is to weigh the rig from a luggage scale with it submerged in a tub, then get enough floats to counteract this. For stills around 100gr +/- negative is a good start. For video getting it near neutral and trimmed is more important. Domes tend to want to twist upwards because they are full of air, the glass in the dome helps relative to an acrylic dome but with video the constant upward twisting torque makes it more difficult to hold steady and tensing your arms to do so can cause issues. Perhaps make another post asking about buoyancy and trim with a 230mm dome and a monitor. It will be more comfortable to use if closer to neutral and trimmed. Also note that switching to flat port will change it all.

I would suggest that your first step would be to tell us more about what you want to shoot, UW photography is different in that the focal length is chosen so you can get closer to what you are shooting and you tend not to stand back with a longer lens. The aim is to minimise the amount of water between you and your subject as it degrades the image and if you are in a natural water body usually has all sorts of floating particles in it. Also helps with lighting as UW strobes have limited range as the water absorbs the red/orange quite quickly. Even if you are doing natural light, closer is better as the light has travelled less distance through water. Another thing to consider is you don't need fast lenses generally, dome port optics means you need to stop down to bring the edges in, they are unsharp due to the optics and with rectilinear zooms you are looking at something like f11 at least if you want halfway decent corners. You can get away with less if there is no detail there of course. People use big domes as they perform better in the corners than smaller domes. Further complicating issues is that some lenses perform better UW than others, not just set by above water performance. In general terms a Wide angle zoom that focuses exceptionally close tends to do better and can be used in smaller domes. For example the Canon 14-30 focuses to 200mm, the 15-35 to 280mm and the little 15-30 STM to 130mm and some have stated the 15-30 performs best out of the 3 UW, particularly if you use a smaller dome. The lenses that tend to work well UW tend to be the ones in the port charts - but ..... just because you see an entry in the port chart doesn't mean you'll necessarily be happy with the images produced. There's various threads on here you can search about these lenses and how they perform UW. The short version is if it's not in the port chart you likely don't want to use it UW as it has issues either working behind a dome or maybe extending too much when zooming etc. Of course brand new lenses take some time to be tested and included. If you feel you need the capability to shoot wider apertures to limit DOF, a dome and wide angle zoom is probably not your best option and you may be better served by a wet optic - the WWL or one of the WACP models these tend to work a lot better in the f4-f8 range. They have specific lenses that work well with them and some of them have limitations - you need to read the fine print. They tend to be more of the kit lens variety in many cases, for example the Canon 15-30 STM lens with the WACP. The WWL and WACP have a bit of barrel distortion that gets progressively less noticable as you zoom in. The 50 f1.8 is rarely used UW and I would think you'd use it behind a flat port same as the 85mm macro lens, in fact I'd suggest make the 85mm do the work of both of these lenses. Shouldn't need a diopter with either in a flat port. Please feel free to get back with any specific questions or clarifications.

Interesting mix of usage. On the subject of fisheye vs wide angle, fisheye distortion is maximised at the a 180° diagonal fisheye and becomes progressively less as the fisheye zoom lens is zoomed in. The WWL is no different as it introduces barrel distortion that becomes progressively less noticeable as it is zoomed in. In fact the view and distortion present on the WWL family at max field of view (130° diagonal - 106° horizontal field) is about the same as you would see with a fisheye zoomed into the same field of view. it won't be an exact match of course but the overall impression is quite similar and certainly with a shot with straight lines in you would notice the difference if shot with an equivalent rectilinear lens. IF you look at the diagonal field only that would tell that the WWL is equivalent to 10mm rectilinear, however the horizontal field is probably just a touch wider than a 14mm rectilinear lens. The advantage of the fisheye zoom is it goes wider and with the right combination zooms in about as far the WWL combo. I personally use the Canon 8-15 adapted onto an OM-1 - for tropical diving it tends to stay on most of the trip unless I'm doing macro. It's like combining a fisheye and a 14-28 equivalent lens into one and is very flexible. If you search for posts on the new Laowa 10mm lens you will see people complaining that it is difficult to use as the perspective makes nearby objects look relatively huge. The WWL avoids this as the barrel distortion shrinks closeby objects at the edges. As to whether the 24-50 matches the fisheye zoom, land tests will give you some indication, the 8-15 FE is known for being very sharp and performance behind a dome is generally quite good, even small domes. The WWL minimizes quality loss and is going to better particularly at the edges of the frame compared to a rectilinear behind a dome but it can't improve things beyond what the bare lens does. If you are still set on the WWL I also had a look at the Isotta port charts, they list the the Z24-50 with a flat port and focus ring - obviously aimed at WWL use. Phil Rudin mentioned that the Marelux probably wouldn't support it as the port would need to be inside the housing - this is down to different positioning of the camera inside the housing relative to the port. You just need to confirm with Isotta that the Nauticam bayonet adapter will fit the flat port. The housing will be at least 1kg lighter and smaller in all dimensions.

Keep in mind that using wet optics does not restrict you to Nauticam. Isotta and Marelux have good solutions for using wet optics you can even use Nauticam ports on Isotta, though I think perhaps not the extension rings. They can advise ports to use with the recommended lenses and will either have gears or they can be 3D printed. Also Out of interest what are you planning on shooting? The WWL or equivalent is a nice solution but there are other options which may have additional flexibility with a lighter more compact package. For example on APS-c You can use the zoom fisheye lenses the Tokina 10-17 and Nikon 8-15 , though the 10-17 only works on Nikon DSLRs and also add a 1.4x to the mix . The fields of view of the fisheyes on APS-C compared to a WWL plus 24-50 on full frame are shown in the table below: The table shows the horizontal field as well as the diagonal as I feel it is more useful for comparing fields available with these lenses and also the focal length of a rectilinear lens with the same horizontal field. You can see a few of the options give you the max reach of the 24-50/WWL-C combination , but also provide much wider fields than the widest field offered by the WWL. These options are attractive as they work quite well in small 100-140mm domes and are more compact and lighter. Arguably the optics of the Nikon 8-15 are superior to what you can get from the the Nikon 24-50 kit lens. Uploading Attachment...

Plenty of people using various forms of Nikon full frame and getting results they like from the z6 through to the Z9. What is more relevant in deciding which way to go IMO is what you plan on shooting and where. I would argue that full frame is not really necessary for most UW shooters, it tends to cost significantly more for the camera, the housing and also quite likely the ports and lenses. The kit is also larger and heavier, which is mainly concern with travel with the restrictions in baggage allowances that plague dive travel these days. For most UW shooting with strobes you are down near base ISO, using strobes in fairly bright conditions, there are exceptions of course. Lots of MP only really come into play if you are printing large - think A2 size plus. I think the vast majority of UW shots these days end up as 1200-1600 pixel jpegs online somewhere, unless you sell your images. I recall you were thinking about a D500 recently -this is still a fine camera, however if you look at sensor test results it is very similar in performance to the m43 20MP sensor. Smaller APS-C sensors and m43 also have a bit of an advantage in wide angle work as you can use lenses like the Tokina 10-17 or the 8-15 fisheyes (with or without TC) to achieve fields of view between full fisheye and something like a 28mm rectilinear in terms of field of view, giving unrivalled flexibility when shooting reefs, big animals, pelagics and CFWA. To do the same in full frame you would be looking at the very heavy and expensive fisheye conversion port or for Sony combing the 8-15 with the 2x Sony TC. If you are interested in light weight and size, the Isotta housings are quite a bit smaller. I know one person using a Z6 and went with Isotta as the rig was at around 1kg lighter than the Nauticam option and more compact. Personally I use the OM-1 in Nauticam and have an adapted Canon 8-15 with the 140mm dome and I'm very pleased that. On the macro front compare this pic of the Olympus 60mm macro with a Canon 100mm FF macro lens, weights are 185 gr (Oly 60mm) vs 625 gr -it's the pic I could find with a FF100mm class and the olympus lens side by side. Price is $US550 vs $US850 for a Nikon Z 105mm macro: https://www.dpreview.com/forums/thread/4595033 Having said all that if you can afford it and can live with the weight and size, I'm certain you'd be happy with any of the Nikon FF options.

Good to know, no such luck with my OM-1

Viewfinder all the way, I find I can see the detail in the image a lot better with the viewfinder, I can't focus all that well on the rear screen. I can see it and the composition quite clearly but not tell if I've achieved sharp focus. If your closeup vision is going, it will progressively get worse, so while you might be just OK with the rear screen now, in a couple of years you may straggle. The diopter adjuster on the view finder means you can see all the detail you need in the image, whether shooting or reviewing. With mirrorless the viewfinders are different to DSLR, so be sure to get the new models which have a wider field of view to cover the full viewfinder to the corners.

Or you could look into m43, great choice of macro lenses including the 60 and 45mm macros and there are plenty of wide angle solutions that don't require pulling the port off to get the camera out. If video is you main aim then a GH5 secondhand might be a good solution, the housing are bigger at least in Nauticam but ports and lenses are a lot smaller. They get down to the equivalent framing of 2x in full frame without diopters, though I'm not sure what you refer to when you talk about not having a zoom lens UW. There are possible solutions to this in m43 including using wwl/ diopter on a 14-42 lens but the macro magnification is a little lacking. It seems the right choice is somewhat dictated by how much magnification you would like when doing video and how flexible you want to be on a dive. Though there is always the argument to stick to one type of photo/video during a dive.

converting to jpg files for Windows users:

This certainly doesn't match my experience, do you set the mini flash to 1/64 manual power? I sat at my desk today and fired off 10 shots in succession in single shot and the flash went off everytime. On my last dive trip I used the OM-1 and did 3 dives/day and had 30-40% when done for the day, using OM system battery that's about 2 years old, the body is showing 14,400 shutter count on the two batteries I have. How many shots do you take on a typical day? I seem to average around 250-300 or so over the course of 3 dives.

I don't think there is too much more beyond being on Manual flash at 1/64 power. Looking in the menus RC mode is off, X-sync 1/250, slow limit of 1/60 flash compensation off. red-eye reduction off, first curtain. At 1/64 flash power I get at least 10 exposures clicking the shutter one after another in single shot mode. This is with an OM-1, I previously used the EM-1 MkII and I remember it being quite similar. The mini flash gets its power from the camera, so maybe check if the hotshoe contacts are clean?

I'm not sure that's the only reason it's so popular for macro, in addition there's a complete range of macro lenses including the 90mm macro which goes to 2x by itself and at that magnification has the equivalent framing of a FF at 4x. The in-body IS is also highly regarded, the smaller sensor is easier to accelerate to compensate for shake. I have taken shots with the 300mm f4 lens at 1/13 and they have come out tack sharp and can use ridiculously low shutter speeds with the 90mm macro. It's also what allows hand held focus stacking and super resolution shots. Probably not so useful UW, but it does compensate for any movement except for in and outwards and helps hold the AF point on your target. In addition the smallest AF point in the OM-1 is smaller still and uses a single AF point, while the small option uses a group of points and the camera selects which to use in that area. You can set the number of points the AF point will move with each click of the controls, here is the relative size of the targets: The OM-1 has 1053 covering the frame quite effectively and they are closely spaced. The only issue with such a small point is it needs to be placed over some contrast, though often a small movement is enough for the AF system to grab. The AF system also works quite well in low light, I found with my old EM-1 MkII it could gab focus on mandarin fish at dusk without a focus light. Having used this system on land the limitation when hand holding is how stable I can hold the camera to stay on target at maximum magnification. Even with the IS I have to take extra care to stay stable and moving subjects adds another layer of complexity. UW I mostly shoot around Sydney and the surge and current places limitations on how much magnification I can use not to mention the ability to actually find ultra small subjects UW. For this reason I use only the 60mm macro UW and find it has plenty of magnification.