I'm in a similar situation at the moment in discussions to film for a very large production in Palau. The DP (Director of Photography) of the show has housing for an BVW790WSP and the camera (Sony Digital Betacam), trouble is he's a crap diver and underwater shooter but because he's the principle DP he gets to decide who shoots underwater. My involvement in the deal is being pushed on the executive producers by a friend who knows of my work, who knows I have the stock for their B Roll needs and the knowledge of the area, and an ability to get what they need. All of that doesn't wash with the DP. He's ranting and raving at the execs to keep it all 'in house' etc. Thats what people are up against.
Cheers,
Mark.
Well said Mark, man I have seen some crap shooters with $$$ rigs too.
It's certainly not what you know but who you know. ![]()
Anyhow I have just been invited to help shoot a 30-40 day underwater shoot on wrecks around AUS with a guy that will use a F900. I'll be taking along my useless HDV format setup to film him filming and as second camera guy. It's for an overseas network.