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  1. Past hour

  2. Not Roatan but Utila. Whaleshark. Very elegant and enthusiastic free diver , a good friend. It's a bucket list dive. Special day. Wally AKA Tiger
  3. Today

  4. I've been to Coco View many times and have great friends there for years. It's very relaxing diving and a very social way of doing things so you make good friends on the boat. I have wonderful memories - on one trip I was fortunate to be there the same week as Stan Waterman . Still diving and telling so many stories from the past. Any of you that don't know Stan's story its worth a read. He was a pioneer , film maker but most of all a storyteller. Sadly Stan passed away - he was a true renaissance man. Diving the West End while you're on Roatan is worth it. A little Bohemian village. It's worth a day off the resort property. I spent the day there at West End after I'd been doing a veterinary spay surgery clinic on that end of the island with a great group of people. After the vet clinic work , we went zip lining and just walked around . I got the very best grouper photo ever that I had canvas printed but sadly lost the file somehow. Wally aka Tiger
  5. Yesterday

  6. Greetings Alexey from the wonderful inspiring country of Ukraine. I am from North Carolina the home to many shipwrecks and sharks that patrol them . We get divers from all over the world anxious to be surrounded by sharks. Borrowed my handle from our friends the affable sand tigers that are like dogs. They appear out of the vis limit or out of the bait ball and hang out with us.
  7. I have published the design for the updated Reduction Ring Set & Diffusers on MakerWorld: https://makerworld.com/en/models/3206771-retra-reduction-ring-set-with-diffusing-filters#profileId-3629441 I've dove them a few times and filters worked out very well. No issues in the water and they light looks great. The diffusers only lose about 1/2 stop of light. The yellow filter is very close to 4500k filters from Retra and Backscatter. This set is 100% printed, including the diffusers, which is an improvement on my earlier design that used non-printed parts for the filters. You can now make an entire set with just a few types of filament.
  8. Thanks all who helped or "only" try to help... ;) If I found time tomorow I'll make a new topic with what I wanted to make at the begining. Good night, morning evening afternoon depending of your location.. Hugues
  9. We already have a thread on this 😉 Until confirmed, please use the General Chat.
  10. Is LOFIC The Future Of Action Cameras? I hope to see a M43 LOFIC camera one day!
  11. If it’s true (like the rumors regarding the 100mm macro lens last time) maybe there will be a surprising feature, too. Maybe supports Sonys TCs! ;-) Looks like it’s close focusing because it is „slow“. From sonyalpharumors.com: https://www.sonyalpharumors.com/category/rumors/#google_vignette I have to be honest with you: one of the sources who shared accurate Sony FX5information told me that Sony has a host of new lenses that will be announced within a relatively short period. Now, HowToFly has shared the full list of engineering prototypes Sony is reportedly working on. It therefore appears that Sony could announce many new lenses within the next three to six months. HowToFly writes: I can add that also the 16-28mm f/2.0 GM development has been done and could be the next lens announced by Sony. Now let’s dig into possible aperture info of some of these lenses: The fisheye zoom will definitely be slow and have something like a f/5.6 aperture The 28mm G is going to be f/1.8 and a successor of this very old 28mm NON-G lens The 40mm G is also going ot be f/1.8 as we already do have a slower f/2.5 lens. So that’s all we know so far…with the 16-28mm f/2.0 probably coming in late summer or early fall and no new timeline for the other lenses yet. In the meantime let us all know:
  12. I jumped directly on the underwater part. I didn't listen the guy. Are there special lens for underwater use to mount or the magic happens in the new hosuing? @RomiK does the X6 fit inside the Nauticam housing?
  13. I would say i disagree with two of the sentiments: 1) Most of my images expose the background, so that is a normal use case not a unique one- even if a close up and definitly CFWA. I find ISO (aka light) to be the major compositional hurdle in much of my image making. Sure packages are great at removing noise - but they all still do it at the reduction of sharpness. Absolutely agree that in this sense a smaller sensor allows an easier to shoot fStop that allow more relative light to the sensor -but I will sacrafice corners and either crop or just live with it when I need to drop below f/13. Also a couple of stops provided by wet optics also brings things closer - but $$ and size. 2) I have never wanted less than "more" dynamic range. I can never have enough especially when trying to get the darks to come alive to balance bright foreground subjects. I think there are very strong arguments for M43/aps-c/ and FF. All can capture amazing images - no doubt. But I think we are a group that constantly pushes the abilities of even modern sensors to their limit - even though we often (if not pretty much always) are adding light with strobes/lights.
  14. nono, there are stitches alright, just invisible. In 3:17 he holds cam on invisible stick in his left hand. So the stitches go right across the frame. They did really good job with this second gen of housing. Still very much different optically from Nauticam case as you can also see from my pool test. Nauticam top x6 bottom. This from 20cm.
  15. Ok great.... The attach bar is fetched when you click a blank reply, then inserted. That insert has a bug. For almost everyone it still works. Your browser session was the only one we saw that got an extra script in that fetch, so the bug skipped the “Drag files here…” block. Something on your side is making the software send that extra script. The best fit is your browser language set to French while the account is English, or an extension / VPN changing headers or cookies. The work around I put on the site seems to be workin.... I have reported the bug to Invision. If a blank reply ever loses the attach area again, tell me.
  16. I stayed with APS-C for practical and financial reasons. I had a Sony A6000 with a Seafrogs housing that was a kind of universal, and when I upgraded to A6400 it was still fitting to the old housing. This setup I mainly used for videos. Later I upgraded the housing to a more ergonomic Nauticam housing (used one). I'm quite happy with the video quality and the ergonomics of the housing. I considered only once to switch to full frame. I had a project to film in a lake during night. Switching to FF Sony and finding a proper wide angle rectilinear lens with the fitting dome port in a Nauticam housing would have been a serious investment (probably over 10K Euro). Finally I just bought a 11 mm 1.8 lens to replace the F4 10-18mm lens for this project. As I remember it was below 500 Euro. I'm quite happy with the results. Would a FF camera produce better material? Probably. But not by a great margin and certainly not 20X better. Fast lenses are relatively cheap for APS-C cameras and they can solve issues with low light filming.
  17. I cannot help you because I do not have that lens. I can say that I have the AOI UWL-03 wide lens and if I remember correctly they do not provide the MFD. I had noticed that compared to the reviews on YouTube that claimed the lens focused almost on the dome, my footage looked blurry. So I did some tests in a large tank and the minimum acceptable distance for me was about 30 centimeters, and even there the image was not perfect. EDIT: I see there's a new AOI UWL-03 MKII lens and they claims a MFD of 78mm. Who knows! https://www.fotosub-shop.com/2741-AOI-AOI-UWL-03-MKII-Obiettivo-grandangolare-per-action-cam-e-smartphone.html
  18. Yes, actually very nice. But I have the impression that there is a small trick in the video. The image is quite static, as if he used only one of the two lenses and therefore there is no stitch between the two hemispheres. Or maybe the stitch is static. Maybe I am wrong, I am not an expert on these 360 cameras. Many people do not understand rule #1 of video shooting in general: instead of moving the camera without sense with awkward movements, if you keep the camera still and let the subjects move, you never go wrong.
  19. This very topic pops up frequently, and here’s a recent thread on it:
  20. This is the first good quality underwater video with X6 from a person who knows how to shoot proper underwater videos :
  21. Posted too soon--my observation about the non-linearity of the photoshop luminance measurement, especially at the higher ranges, was addressed earlier in the thread. As a testing protocol note, I also struggled with testing the higher end output of the strobes without compressing the results. What I settled on was to take photos (of a white wall, but of course a grey card with 18% reflectance would be better for this purpose) at ISO 100, F22 and to move the flash back around 1.4 meters from the wall to reduce the reflected light into a range where the measurement devices (luminance scale in lightroom!) weren't clipping. And for added accuracy, I basically took the same shots at wider appertures and tried to match lightroom-reported luminance levels to reverse engineer actual f-stop scale exposure differences between the different strobes. Anyway.. very nerdy, I know, but just a suggstion for anyone else running into this very niche issue testing very bright strobes :D
  22. AlaskaDiver joined the community
  23. For my archaeological work, lack of light due to both depth and being in the shadow at the foot of a fringing reef wall will be an issue for some of the images I hope to capture that show the wider wreck site. Obviously a pair of Retra Maxi's will light up foreground things, but it will be nice if I can capture things in the background as well.
  24. Hello @Davide DB hello everybody. inon gr140 zd pro declares 4 cm minimum focus distance but with gopro 12 the subject very close to the lens (>5cm) is not sharp and focus. Why? What is the actual minimum focus distance underwater of gopro12+inon gr140zd pro? Thank you Giacomo
  25. There has been discussion recently about the new DJI Osmo Pocket 4P. DJI claims up to 17 stops of dynamic range on its new 1-inch sensor, and comparisons with cinema cameras like the ARRI Alexa quickly surfaced online. Looking at the numbers, it might seem plausible, but visually the situation is different. Waveform plot for the DJI OSMO Pocket 4P 20mm wide D-Log2 ISO1600. Image credit: CineD Spoiler: no, it is not a micro Alexa. PetaPixel confirmed after testing it that LOFIC improves both highlight retention and shadow cleanliness, though they noted their empirical tests did not reach the full 17 claimed stops. Even if the Pocket handles backlighting very well for its size, it does not output the same image. First, 1-inch pixels physically generate more noise in deep shadows compared to the massive photosites of a Super35 or 35mm sensor. Second, it lacks the smooth highlight roll-off of Arri; on the compact sensor, the clipping to pure white is inevitably harsher. Furthermore, the DJI data ends up in a 10-bit MP4 using D-Log 2, going through a processing pipeline far different from the RAW workflows of the Alexa family. It remains a notable achievement to have this exposure latitude on a pocket camera, which is due to the LOFIC hardware. What exactly is LOFIC technology? To understand this solution, we need to look into how a sensor is built. Simply put, each image pixel corresponds to a photodiode, which is the physical silicon element that receives light, photons, and converts it into electrical charge, electrons. Imagine this photodiode as a small bucket collecting light. This bucket has a maximum physical volume, which in technical terms is called Full-Well Capacity. In standard sensors, if we adjust the exposure to properly read details in the shadows, the buckets located in the very bright areas of the frame, such as backlit water surfaces, fill up in a fraction of a second. Once full, any continuing light overflows and is lost. The sensor converter then registers a total saturation signal, leaving us with an unrecoverable white area in post-production. This is where LOFIC, Lateral Overflow Integration Capacitor, comes into play. For every single pixel, alongside the photodiode and standard circuitry, engineers added an expansion tank of sorts: a dedicated capacitor. The primary photodiode is kept sensitive to capture a clean signal in shadows and midtones. However, when the light is strong enough to saturate this first stage, the excess electrical charge is managed and stored in the lateral capacitor, which has a larger storage capacity. When generating the image, the sensor architecture can simultaneously use the signal from the photodiode and the charge stored in the LOFIC capacitor. Merging this information results in a frame with higher dynamic range, physically generated at the exact same moment, single-exposure HDR, and without the flaws of software HDR. Why it makes a difference for video This technology changes little for photography. If there is too much contrast, we use bracketing or recover the shadows from a solid RAW file. In video, however, classic HDR, which merges frames with different exposures offset in time, has always been problematic. If we film fish, waves, or anything moving quickly, the merging of frames inevitably creates trails and ghosting artifacts. LOFIC solves this issue by capturing the entire dynamic range at the exact same physical instant. You can shoot at 50 or 60 fps and keep the action perfectly sharp. The current obstacle for larger formats involves architectural complexity and power optimization. Bringing this system to larger surfaces requires circuitry capable of handling a vastly superior amount of data and bandwidth, all while limiting power consumption and the resulting thermal dissipation. Current availability and future developments for M43 and smartphones It is not surprising that this technological advancement comes from the smartphone market: the global smartphone market in 2025 totaled 1.25 billion units sold, while the entire photography sector, including compacts and mirrorless cameras, did not even reach 10 million. Some manufacturers have already taken action. Xiaomi adopted a LOFIC architecture, utilizing the OmniVision OV50X or Light Fusion 1050L sensor, on the main 1-inch camera of its Xiaomi 17 Ultra. OmniVision itself is among the most active companies on this front, integrating TheiaCel technology, based on LOFIC, to provide a concrete response to the needs of the automotive sector, where autonomous driving sensors require flawless reading of shadows and highlights in all conditions, leaving no margin for error. Outside the smartphone world, the Osmo Pocket 4P is effectively the first video camera to adopt it. Towards the end of the year, we will see it on an increasing number of high-end phones thanks to the new Sony Lytia L910 sensor, which has already entered production: roughly 50 effective megapixels on a 1/1.28 type chip, 100 dB of single-exposure dynamic range, about 16.6 stops, and 4K60 HDR video. A module that Sony officially presents by emphasizing the low-power optimization of its circuitry. Final Thoughts The transition that concerns us most directly, however, is the arrival on mirrorless cameras. Currently, the physical limit achieved and marketed with LOFIC architecture is the 1-inch format. However, industry roadmaps and component suppliers indicate that smartphone manufacturers aim to cross this barrier to reach the Micro Four Thirds format in the coming years. That format will be the natural bridge to our dedicated cameras as soon as the systems to manage the large volume of data and thermal dissipation on the camera bodies are finalized.
  26. Yep - you know you are out of the way when you have a two hour drive just to get to the nearest Officeworks... unfortunately we need to shop online for far more than I wish we did. Hopefully we can catch yup on Saturday then. I'm getting into Sydney late Friday afternoon, and departing on Monday afternoon.
  27. @humu9679 Exactly, and I'm still not sure about my new setup. Maybe I'll start another discussion about it a bit later.
  28. Yes there are plenty of examples where FF might have an edge, if the particular scenario is important to you, sure, If you dive it once or twice and don't come back to it FF, APS-C or m43 will all likely produce an acceptable result. I'm not sure how particulates come into your example to favour full frame though. Low light sure particularly with a constant light source, though video lights on a wreck can only illuminate a very small proportion of it I would think.

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