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Everything posted by Davide DB
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Thank you Ben, Actually, the damage that can be seen now in every ocean is such that even those who dive in a vacation spot once a year notice the differences. Absurdly, it is almost harder to notice if you dive often. It is like parents who do not notice how much their children have grown because they see them every day then a friend or relative who has not seen them for a year comes along and exclaims Wow! But the most insidious thing is shifting baseline syndrome. People who start diving today think that the sea has always been like this. I thought so in 1990. This assumption that things have always been this way has a huge psychological impact on our perception of danger and change. Each generation assesses its surroundings with a different starting point. Not to mention the Mediterranean (I understand that in the forum it is partly incomprehensible to most), I was in the Red Sea in Sharm in 1993 and I can assure you that in Ras Mohammed and Yolanda reef was full of sharks. In 1998 I went on a cruise to Sudan and night diving was prohibited because of the danger of sharks. During the day, all dives within 30 meters were accompanied by dozens of sharks, and several times we had to shelter on the reef because the longimanus were particularly nervous. Of similar comparisons, Members in the forum will be able to make many more than I who have always been a local diver.
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Yes, it's true that they are cheap compared to batteries in normal cameras, but anyone who uses gopros has at least 4/5 of them because they don't last at all and they run out even if you just keep them in the action camera. But what bothers me most is this constant meat grinder. For no apparent reason a manufacturer changes the shape of the batteries and poof! In no time at all, hundreds of thousands of batteries (and associated chargers) are to be thrown away. I am not a radical environmentalist but this reminds me of the smartphone charging cable issue in Europe. It seemed impossible for everyone to adapt to USB-C, yet here we are. Then Gopro will explain that there are insurmountable technical reasons in much the same way as Apple whined about its Lightning connector. A drop in the ocean, sure, but it is precisely this throwaway mentality that is 'our' problem. I am naive, but I dream of an advertising campaign in which the company boasts that it has not only succeeded in making a 20% more powerful battery, but that it has taken special care in the design so that it is compatible with previous models. In 2024, I would expect these to be the values to retain customers. And yet if Panasonic presents the G9II with the same body as the S5II and the GH7 with the same body as the GH6, they are accused of being in financial crisis if they fail to differentiate their products. We really are the problem.
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Through our eyes as divers and videographers, we have tried to tell what is happening in the Mediterranean. Changes that are not always understood by the public. P.S. Sorry if this is too sad Once It Was All Countryside Here
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Text and images: Davide De Benedictis - Claudio Valerio Cover photo: Marco Bartolomucci If we told you how long we've been diving, you'd immediately know how old we are. We'd just tell you that we've been diving for a long time and that our passion for the sea has always been a part of us. We've spent most of our time in the Mediterranean, and by diving year-round, we've seen the gradual changes in the sea we love the most. A while back, we observed some novice divers during our decompression stop and wondered what it was like for them exploring the seafloor. Are they aware of the changes they're witnessing, or are they unwitting victims of shifting baseline syndrome? Unfortunately, this is what we've been observing for years in the Mediterranean during the summer: a carpet of mucilage in the first few meters of depth. The video text is based on Greta Thunberg's famous speech at the Youth4Climate event in Milan in 2021. This speech, with its great impact and appealing style, has been used in lots of different contexts. However, to my knowledge, it hasn't been used in relation to the marine world. When we were editing the images, we thought of the old saying "Once it was all countryside here", which makes you think about the past in a nostalgic way. But even the most overused clichés have a grain of truth. To paraphrase the cliché, we could say that "Once it was all sargassum and Cystoseira here". These seaweeds, which are common in the Mediterranean, were an important part of the marine ecosystem. There were large groups of Sargassum and Cystoseira, which alternated with Posidonia oceanica bushes and seafloors covered with calcareous algae (maerl). Some of the algae were the size of a fist. The bottoms were also decorated with white gorgonians, which are typical of these shallow waters. Today, although these species are still present, many of them are difficult to observe and suffer from a thick layer of mucilage covering them. This is now so common during the summer months that only those with long diving experience, or observing the seabed in winter, can tell the difference. When we showed these images to a non-diving audience, even though we had a marine biologist explain them, they were still pretty skeptical until we showed them exactly the same places filmed in winter and spring before temperature rises. Then they finally understood what we were talking about: These two short videos show how challenging it is to communicate the changes taking place in the oceans. The warming waters and human activities are affecting underwater ecosystems just as much as they are affecting land ecosystems. But underwater, the problem is even more pronounced. There's a lack of historical data, which makes it tough to grasp how marine environments are changing (again, it's the shifting baseline syndrome). Plus, our direct experience of the underwater world is limited. Everyone can see the effects of fires in the Amazon rainforest on the news or watch the urban landscape change from the car window. But what's going on underwater? This is why it's so important to communicate the importance of marine ecosystem conservation in a clear and urgent way. This is the challenge we're up against. Given the lack of inspiration in our recreational diving, we've been wondering if there's somewhere where these changes haven't happened yet. It's probably the so-called "mesophotic zone or twilight zone", which is the bathymetric range in the Mediterranean from fifty to one hundred and twenty meters deep. As depth increases in this zone, plant life gradually makes way for animal life due to the decreasing levels of light. Recently, this zone has become really important for studying how climate and human activities are affecting our oceans. It's a completely undiscovered world that could be home to species that could be valuable resources for addressing problems related to global warming and overfishing in the surface marine zone. The trailer on our Underwater Italy channel gives you a sneak peek of the mesophotic seafloor of the Mediterranean. A while back, whenever we talked about our passion for deep diving, the response was always the same: "Why go to the trouble of going deep when there's so much to see here on the surface?" And then, of course, there was the inevitable warning about the dangers of deep diving. How could they be blamed for that? Back then, going beyond the limits of recreational diving was all about deep air and not much else. As it turns out, today in the Mediterranean, we can only observe intact ecosystems through deep diving, and the tools of technical diving allow us to do so in reasonable safety. However, even in these environments, things are changing. For years, we've been seeing signs of suffering in marine animal forests, even in the shallowest parts of the "mesophotic zone". This shows that the effects of climate change are constantly evolving. Here's an example of what's happening to some of the seabed in the Tuscan archipelago, between 50 and 70 meters deep. It seems that the damage is not only proportional to depth, but probably also depends on other factors such as currents and the morphology of the seabed. To get a full understanding of this phenomenon, further scientific studies will be needed. As divers, our role is simply to observe. It's crucial that we keep an eye on these changes in marine ecosystems and keep documentation up to date. Every observation and piece of research helps us to understand our underwater environment better. It's essential that we pay attention and put in the effort to adapt our conservation strategies so that we can meet the challenges that climate change poses. It's an ongoing process, but it's vital to preserve the wonders of the sea for future generations.
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bonfire dives (light-trap dives)
Davide DB replied to bghazzal's topic in Photography Gear and Technique
From what I can see @ 2'58" they put the lights as in a normal BW and, given the shallow depth, the seafloor gets completely enlighten. -
bonfire dives (light-trap dives)
Davide DB replied to bghazzal's topic in Photography Gear and Technique
I found this: -
Underwater Custom 18.7K Cine Camera
Davide DB replied to Nikolausz's topic in Video Gear and Technique
I knew that only YT was able to display 8K. IDK if Vimeo filled the gap. The big advantage going from 8k to 4k is reframing and oversampling. Pawel Achtel is famous for his custom lens and camera for cinema use. -
I thought the same but it's not. Have a look at this thread:
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Getting the most out of Olympus 12mm 2.0
Davide DB replied to Andrzej Czyżyk's topic in Photography Gear and Technique
I would be curious to see it inside the cheap 6" polycarbonate dome. I'm afraid it will vignettes. The lens is only 43mm long while the 12-35mm is 74mm. The 6" dome has a long collar. I have the dome but IDK anyone with that lens. -
In few days we will be overwhelmed by such comparison videos 🌊 1" sensor has a minimum focus distance problem yet. IDK if underwater it will be worst. If going full GAS, DJI seems to me the best option for uw use but in the end IMO I think that steady hand/good rigging, good CRI lights and editing are still the best friends for our passion. @PeterN latest video is the proof!
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Judge by yourself
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Absolutely not. I bought the gopro 11 for a specific project and in my spare time I use it to play with the family. I chose Gopro for the third-party accessories. I needed additional underwater batteries. Now, seeing what they did with the new battery, I think I will never buy gopro again in my life. The new more powerful battery fits perfectly in the old gopro but they reversed the connector to force me to buy new gopro. Many years ago, Google's motto was: don't be evil We know how it ended.
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Getting the most out of Olympus 12mm 2.0
Davide DB replied to Andrzej Czyżyk's topic in Photography Gear and Technique
@Chris Ross is way more technical than me... In the meantime 😉 Are you sure that sharp corners @F2 underwater do exist? (photo not video) Looking at the Nauticam Port Chart I find: null Asterisk indicates the best option which is the 140mm dome (5,5"). This is 1" more than your dome and there is an extension ring. Probably this depends on dome length. On my Pana 12-35 I have the suggested 6" dome. Even larger. At F2.8 I get a nice out of focus in video. -
This video is from our member @Tobyone 😇
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Actually the first in the water with a GH7 was our ex member Interceptor. You can find his review on his website and in the latest UWP magazine issue. IIRC he states that you can achieve 1/400 strobe sync with Nauticam trigger. No feedback yet on video features. I found another FB user who is using it for photos: https://www.facebook.com/share/p/FtvvKX7ncyfEEjDD/ Nauticam didn't release a new GH7 housing because their GH6 housing is fully compatible. Problem is NA-GH6 is one of the most expensive mirrorless Nauticam housing. The exaggerated price (probably due to the number of pieces produced) is a strong disincentive to its underwater use. Under these conditions, it is unlikely that the success of the GH5 will be repeated, despite the fact that the camera has a very good performance for video and even stills.
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Hi Peter, Don't misunderstand me. It is one of the best "gopro" video I have seen. I went to your introduction post to discover you were using a Gopro otherwise it seem really a mirroless camera. It is proof that a gopro in good hands (stable footage, good framing and good editing) can achieve as good as other cameras. This video is definitely a benchmark for anyone using an action camera underwater. On the final clip it looks like you have the red filter with the lights on. Hence the strong red cast on the nearby turtle. 90% of underwater videos shot with gopros have big problems with the stability of the footage. The gopro is very small and light and weighs less than the tray and arms. What kind of tray do you use and how did you balance it?
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Nauticam has introduced its underwater housing for the new Nikon Z6 III. This third-generation midrange full-frame mirrorless camera is the first of its kind to feature a “partially stacked CMOS sensor.” This innovation offers many of the advantages of a fully stacked sensor—like faster autofocus, reduced rolling shutter, quicker continuous shooting, and higher frame-rate video capture—while keeping manufacturing costs lower. In fact, the Z6 III's specifications are approaching those of the Z8 and Z9, boasting 14fps burst shooting with the mechanical shutter and video recording capabilities of up to 6K/60p in 12-bit N-RAW and 5.4K/60p ProRes in 10-bit 4:2:2. As expected, the Nauticam NA-Z6III housing is crafted to fully utilize the Z6 III’s stills and video features. Nauticam’s signature ergonomic design is evident, with all camera controls strategically relocated to the most convenient positions around the integrated handles. The aluminum housing also includes the company’s integrated vacuum check and leak detection system, ensuring peace of mind before diving. Nauticam Housing for the Nikon Z6 III product page: https://www.nauticam.com/products/na-z6iii-housing-for-nikon-z6iii-camera
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Blackwater Photo Shooting Techniques?
Davide DB replied to Davide DB's topic in Photography Gear and Technique
Terrific article indeed. Pietro Formis is a WPX member. I wish there was a similar article for blackwater video too. -
Beautiful images and editing Peter! Are you still filming with Gopro + Inon? It is a pity that the WB betrayed you on the last clip of the turtle. It almost looks like you had a red filter. Thanks for sharing
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Probably, but in this case I felt myself very stupid. In the past I even applied a sort of bungee to remove easily the lens.
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@ 1:56 I would be already dead
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Or at least check the box properly... Tonight I was changing lens and port for WA shooting and opening the WWL case I noticed for the first time a small bulge in the inside pocket of the lid. So after 5 years of shooting with the WWL I discovered that there is a small thingamabobs to easily remove the lens. It is never too late 🤪
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Nauticam N85 housing & ports options for Sony APS-C
Davide DB replied to Craine's topic in Photography Gear and Technique
I see that you have received no reply. There have been a lot of posts on this topic lately but always only about FF lenses and cameras. I don't think the topic has ever been addressed for cropped sensors. ready to be wrong....