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  • Giancarlo M.
    Giancarlo M.

    SUPE D-PRO Strobe test

     

    Underwater photography is an incredible experience because it offers enthusiasts the opportunity to discover the underwater world in its most authentic beauty. To capture these extraordinary images it is essential to have the right equipment, and one of the key elements in underwater photography is the strobe.

     

    SUPE Scubalamp is a company specialising in the design and production of underwater lighting equipment, including torches, strobes and related accessories. The company, a world market leader for many years, recently launched the new SUPE Scubalamp D-Pro underwater strobe, successor to the glorious D-Max. This product caught the attention of the underwater community due to its exceptional quality, light uniformity and battery life, and these features immediately placed it among the best in the industry. Another distinguishing feature is the high-speed continuous shooting mode, with the strobe supporting 10 frames per second in the first mode, making it much easier to capture shots in quick succession.

     

    Dpro_sideUP.jpg

    The D-Pro, with its 4800 degree Kelvin circular lamp with a 160W power output and 150 degree beam angle, ensures an even spread of light over the entire framed area. This means that captured subjects and scenes will appear in natural, vivid colours - in short, your shots will be outstanding.

    Dpro_front.jpg

    A crucial feature for underwater strobes is battery life. While in the deep sea it is complicated to change batteries easily, so to avoid any kind of problem it is always preferable to do the replacement only at the end of the dives. SUPE Scubalamp D-Pro also excels in this respect, thanks to its 37.8 Wh rechargeable lithium battery (3x 18650), which guarantees from 500 strobes at full power up to 3000 strobes in the first mode. The large battery capacity supports long underwater photo sessions, allowing every moment to be captured without interruption. The strobes also feature a display that shows the battery charge status, allowing you to keep track of the remaining battery life at all times.

    Dpro_back.jpg

    I have been fascinated by these strobes since their launch and, after hearing feedback from other underwater photographers, I finally had the opportunity to test them first-hand during my recent three-week trip to the breathtaking tropical waters of Raja Ampat, Indonesia.

     

    The setup I used for the test consisted of: Canon EOS R5, Canon EF 8-15mm f/4L Fisheye, Nauticam NA-R5 housing, Nauticam 140mm Dome, Nauticam Trigger and Flex-Arm carbon arms.

     

    10.jpg

     

    During the first dives I studied the light behaviour of the strobe in order to position it in the best possible way. The circular lamp guarantees excellent uniformity in light distribution and the D-Pro, with its coverage angle of about 150°, provides a considerable amount of light perfectly distributed over the entire frame of the shot. Power adjustment is easy thanks to the power selector. To balance the weight I added a pair of floats, as the strobes tended to be slightly negative.

     

    Looking at the shots underwater, previewed on the camera, I was impressed and couldn't wait to review them on my computer once back on land. Upon review I was even more surprised by the quality, quantity and uniformity of the light, everything was simply amazing.

     

    While diving, I tried to 'exploit' the strobes to the best of my ability in a variety of situations, and they never let me down; on the contrary, they always provided the best of their light. I was particularly satisfied with the battery life. I always recharged the batteries after 6 dives, with an average of about 100-130 shots per dive, the display allowed me to accurately monitor the remaining charge, eliminating uncertainty about whether I could continue shooting. Recharging the batteries was simple, just remove them from the compartment and plug them into the supplied transformer, waiting for the LED to turn green to indicate a full charge. I'm not sure of the exact hours needed, I always did this before going to sleep, in the morning the batteries were ready, fully charged.

     

    As an optional extra Supe supplies a diffuser (D200-Diffuser) for wide angles. It is a hotly debated topic among underwater photographers whether they should be used or not. Not being able to provide scientific measurements with appropriate instruments, I can only give you my personal feelings.

     

    I felt good in both cases, with and without, the difference I noticed was only in the type of scene shot. I shot very often without a diffuser, because I had the feeling that the strobe had more penetration and the light was more incident on subjects with a greater distance to the lens. On the other hand, with very close-up shots, I found the shots with the use of the diffuser with a softer and more even light more pleasing.

     

    After three weeks of diving I did not experience any problems with their operation, the strobes were always ready to fire. The size and weight did not have a major impact during the dives, I appreciated their ease of use. I personally think that the SUPE Scubalamp D-Pro is currently one of the best underwater strobes available on the market in terms of value for money. However, it is important to emphasise that I have not been able to assess its reliability in the long term; my testing period was, in fact, limited. However, I am also confident in terms of reliability because the quality I found during use was evident.

     

     I would like to thank my friend Scipione, who allowed me to test these strobes, and Raymon Bao, owner of SUPE Scubalamp, who was always available to answer my requests for further details about the product.

     

    1_f8_125_iso100.jpg F8 - 1/125 - ISO 100

     

    2_f11_160_iso320.jpg F11 - 1/160 - ISO 320

     

    3_f13_160_iso250.jpg F13 - 1/160 - ISO 250

    4_f10_125_iso250.jpg F10 - 1/125 - ISO 250

     

    5_f8_160_iso250.jpg F8 - 1/160 - ISO 250

     

    6_f11_125_iso250.jpg F11 - 1/125 - ISO 250

    7_f10_125_iso200.jpg F10 - 1/125 - ISO 200

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    F8 - 1/125 - ISO 160

     

    9_f9_125_iso200.JPG F9 - 1/125 - ISO 200

     

     

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