RomiK Posted January 7 Posted January 7 Hello, I am posting this to showcase benefits of using - and detaching - WWL1-B in order to achieve different types of shots on a single dive. I was using AWBUW on Sony A1 and I was using lights at some shots. All shot in HLG PP with no further color grading. 2
humu9679 Posted January 7 Posted January 7 1 hour ago, RomiK said: Hello, I am posting this to showcase benefits of using - and detaching - WWL1-B in order to achieve different types of shots on a single dive. I was using AWBUW on Sony A1 and I was using lights at some shots. All shot in HLG PP with no further color grading. Hi Roman, That looks pretty good! Did you take off the WWL-1 at 0:38 the tighter shot of the hawkfish? Best, Craig
RomiK Posted January 8 Author Posted January 8 15 hours ago, humu9679 said: Hi Roman, That looks pretty good! Did you take off the WWL-1 at 0:38 the tighter shot of the hawkfish? Best, Craig Thanks Craig! Yes for hawkfish, in fact I think WWL was off since 0:22 (see the surface not being sharp) through 0:44 and then again 0:55 to 1:00. This changing of perspectives especially for video I consider the main benefit of using WWL1, not so much clearing the bubbles after a drop. 1
Cutbacks_Ericeira Posted January 8 Posted January 8 Hi RomiK, For me, the EMWL, do it better work, because you can do it Macro and Wide anlge without change port/lens! To use this setup you need just Sony FE 90 mm F2.8 Macro G OSS what make Macro or with accessories Super macro. With EMWL you can choose 60º, 100º, 130º, and 160º. At this time to me it's almost impossible to buy this setup, yet I hope one day... 1
Cutbacks_Ericeira Posted January 8 Posted January 8 (edited) When you use it a Picture Profile, you need to apply a Lut or color correction in post production, if your target it's not color correting you can use a Color profile instead PP Edited January 8 by Cutbacks_Ericeira
RomiK Posted January 9 Author Posted January 9 22 hours ago, Cutbacks_Ericeira said: Hi RomiK, For me, the EMWL, do it better work, because you can do it Macro and Wide anlge without change port/lens! To use this setup you need just Sony FE 90 mm F2.8 Macro G OSS what make Macro or with accessories Super macro. With EMWL you can choose 60º, 100º, 130º, and 160º. At this time to me it's almost impossible to buy this setup, yet I hope one day... I do have EMWL and it's not as you think. EMWL have quite a color alteration effect for one and second it has a quality alteration. It's a tool that works brilliantly within intended scope of use but that's all. I wish you a chance to try it some day. 22 hours ago, Cutbacks_Ericeira said: When you use it a Picture Profile, you need to apply a Lut or color correction in post production, if your target it's not color correting you can use a Color profile instead PP No worries, normally I shoot in Slog3 which has greater gamut than HLG. But this time I tried HLG and was pleasantly surprised. Btw you really are not supposed to color correct HLG and definitely not with some LUT or so but I am sure you already know that. Cheers and I wish you good luck with trying out EMWL. It's terrific tool. 2
Recommended Posts