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Everything posted by shokwaav
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That's a good point. I've been lowering the output of my bottom strobe to deal with it, but I've also had shots which looked a bit unnatural. My main issue is that the Backscatter strobes are so darn heavy that I need flotation near them. Ideally some sort of foam ring for the strobes would work best. Do you have any recommendations for adding floats to the base? -
With the strobes on either side and the entire system slightly negatively buoyant, the rig is quite stable when taking landscapes/horizontal shots. Unfortunately, with the popularity of vertical shots on social media, I have started to try composing my shots vertically. However, when placing the strobes at 12 and 6 o'clock, the entire system wants to torque back to the horizontal position. Does anyone have tips for strobe/float placement to avoid this?
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Although this was taken at snorkeling depths, this was with a GoPro 11 running Labs with 5.7k 8:7 30fps, NR01, BITR 180, WIDE, LOG400, and then edited to taste in DaVinci Resolve.
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Comment I posted on the showcase image, hopefully can help others who are interested.
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First some videos and photos.
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https://www.ikelite.com/blogs/reviews/olympus-fcon-t02-circular-fisheye-and-tough-tg-6-underwater-photos It seems that the extreme vignette is an expected result from this combination?
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@bghazzal I went with Daisuke from Okinawa 39ers who I've joined for all my Okinawa trips. I went for two days, and only managed to see the whales in the water on the 1st day. On the 2nd day, we only managed to see them on the boat, and couldn't see them when we went in the water. For the 1st day, there were only the four of us + two guides, so it was quite comfortable under water. The 2nd day, there were probably 9 of us + 3 guides, so it was a bit crowded. Daisuke did emphasise no fin kicking, no free diving and no swimming towards the whales. However, on the 1st day, the calf got so close to some of us that they had to take evasive manoeuvres. It also took us almost the entire morning (7am - 12pm) to see the first few whales from the boat, and then the next 1-2 hours to get in the sea to join them. The sea was quite choppy on both days without any breaks so sea sickness meds were a must. I still got seasick on day 2 and had to puke (I am quite susceptible to sea sickness though). Also, although the water temperature was fine with a 5mm wetsuit, when back on the ship the wind chill was quite severe. Probably a neoprene jacket to wear when back on board would have helped. Daisuke mentioned that February may be the busiest month during the season and he mentioned that sometimes there were up to 10(?!) boats per pod of whales, which sounds crazy. I was discussing with someone who had done the whale swim three times, and we were wondering whether the whale swim would be able to continue indefinitely. For the second day, there were three boats following the same pod of whales, and started to feel a bit like we were harassing the whales a bit too much.- 2 comments
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Okinawa Jan 2025. A7CII in Nauticam Housing, Nikonos RS 13mm modified by Isaac Szabo, No strobes
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Have there been any updates to the Sony Trigger? It's now past the new year 😅
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Lightroom masks have improved a long way, but it will still struggle with fine details such as coral. I also prefer getting everything correct in camera. Set the WB to the level of the diffusers and make minor global WB corrections in lightroom.
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Are you using a tray system? That might help with the hand held stability, so you don't need to introduce as much stabilisation in post. The AutoWB seems to be working great.
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I met someone on a liveaboard with an Insta360 Pro 2 in a Mantis sub housing. His company was making VR experiences for the Vision Pro.
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I don't think WBDV or red filters should be used with dive lights due to the mixed light problem. I'd love to see examples of WBDV in ambient lighting.
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Yea, put your subject in the centre of the focus box (which can be on the side of the screen if you set a custom focus point), single button press the tracking on toggle button, and it will start tracking. You can cancel with the same button or the center button in the dial.
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Yes that's what I'm doing in the youtube video. EDIT: of course you'd have to check if this option is available on the A6700, this is the A7C2.
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No no the third option (Tracking On by custom key) is the one which works!
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@bghazzal hope this explains everything. Toggle seems much more convenient. I think the first sentence where it mentions setting "wide as focus area" is a bit of a misnomer, it only seems to track the subject at the location of the focus box.
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Oh I found a workaround. In the menu --> Video Custom Key/Dial Set --> you can set a button to Tracking On. Quick test seems to work well with a center AF focus area. Hope that helps you @bghazzal EDIT: Tracking on toggle works even better, you don't have to hold onto the button and it stays on the subject.
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I can confirm my A7C2 also has this limitation. Disappointing.
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I have a Sony Rx100 V (not VA) and Nauticam NA-RX100V Pro Package.
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The number of "pro" settings available via GoPro labs makes the tinkerer in me aiming for best performance much prefer the GoPro. After playing around with the Insta360 1 inch RS Pro for land use, I've sworn off Insta360. They may be suitable for quick clips for social media, but if you want to do any post-processing, there's absolutely zero support.
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Hi I've also been reading your discussions with dnewman on github. Have you been able to test out the white balance improvements underwater? Mainly curious about the WBDV setting.
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Before After As expected it struggles with whale sharks 🤣
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Do you have a link to the exact product? The rubber on my Nauticam pump broke and I'm looking for a spare.
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