RomiK Posted Tuesday at 08:24 PM Posted Tuesday at 08:24 PM Hello, I am posting this to showcase benefits of using - and detaching - WWL1-B in order to achieve different types of shots on a single dive. I was using AWBUW on Sony A1 and I was using lights at some shots. All shot in HLG PP with no further color grading. 2
humu9679 Posted Tuesday at 09:47 PM Posted Tuesday at 09:47 PM 1 hour ago, RomiK said: Hello, I am posting this to showcase benefits of using - and detaching - WWL1-B in order to achieve different types of shots on a single dive. I was using AWBUW on Sony A1 and I was using lights at some shots. All shot in HLG PP with no further color grading. Hi Roman, That looks pretty good! Did you take off the WWL-1 at 0:38 the tighter shot of the hawkfish? Best, Craig
RomiK Posted 12 hours ago Author Posted 12 hours ago 15 hours ago, humu9679 said: Hi Roman, That looks pretty good! Did you take off the WWL-1 at 0:38 the tighter shot of the hawkfish? Best, Craig Thanks Craig! Yes for hawkfish, in fact I think WWL was off since 0:22 (see the surface not being sharp) through 0:44 and then again 0:55 to 1:00. This changing of perspectives especially for video I consider the main benefit of using WWL1, not so much clearing the bubbles after a drop.
Cutbacks_Ericeira Posted 6 hours ago Posted 6 hours ago Hi RomiK, For me, the EMWL, do it better work, because you can do it Macro and Wide anlge without change port/lens! To use this setup you need just Sony FE 90 mm F2.8 Macro G OSS what make Macro or with accessories Super macro. With EMWL you can choose 60º, 100º, 130º, and 160º. At this time to me it's almost impossible to buy this setup, yet I hope one day...
Cutbacks_Ericeira Posted 6 hours ago Posted 6 hours ago (edited) When you use it a Picture Profile, you need to apply a Lut or color correction in post production, if your target it's not color correting you can use a Color profile instead PP Edited 6 hours ago by Cutbacks_Ericeira
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