Davide DB

Thanks. I will add to our list

The clip is so badly damaged that it is difficult to save it. The pink cast is terrible. As Ben wrote, you should start over and start on Resolve with a WB on a spot that is presumably white. Try sand. Do several trials on different spots and once you find an acceptable compromise, start with the adjustments.

Does it work by pressure?

A7RV max sync speed should be 1/250. Maybe @TURTLE-Balage may comment?

Sorry I don't agree with this. For video I have talked about it so many times. A nose-up housing is the worst thing that can happen: it requires you to apply a force with your wrists that leads to unstable footage. A photo 'lasts' 1/60 of a second while a video shot even 30 seconds. Regarding weight I give an example for my GH5 with a 6" polycarbonate dome. (very light). The housing. without lights or flash is practically neutral but totally unbalanced with the nose upwards creating huge problems for video. To get it back to a correct trim, I had to add a 700 gram collar. Now the camera is trimmed but very heavy so I had to add the floating arms. In short, a dog biting its own tail! With the WWL-1B everything is more stable and neutral by default. P.S. Probably with a crystal dome the problem is less extreme, but I think you are talking about domes larger than 6".

Here they are: https://www.amazon.it/Concept-Anti-perdita-Confezione-Sottovuoto-Compatibile/dp/B0CYSLBQKS/ref=sr_1_9

Hi Justin, I can confirm that this cheap generic M67 cap bought on Amazon last year for a Yashica vintage lens, fits perfectly on my M67 Nauticam CMC-2... https://www.amazon.it/Ares-coperchio-obiettivo-copriobiettivo-Fujifilm/dp/B078178P8W/ref=sr_1_3_sspa The only "flaw" for our use case is that it does not have a hook for a lanyard but I am sure you can find it on Amazon.

All shy? No one has any photos taken with this focal length? 😎

Hummm Who uses a fisheye for filming? No professionals unless in special cases. WWL and WACP are comparable to rectilinear lenses because the distortion is slightly noticeable and practically imperceptible.

I found this very interesting https://www.eoshd.com/news/nikon-z6-iii-lands-with-video-aplomb-but-only-partial-excitement-for-photographers/

Apart from the fact that finding reliable reviews on social media is a bit like looking for a unicorn 🙂 In my opinion, one has to distinguish between use cases. Shooting on land and shooting underwater are two completely different worlds. It has often happened that very good cameras on land were terrible or mediocre underwater.

24.5 megapixel partially stacked CMOS sensor for exceptional image quality Expeed 7 processor, from the Nikon Z8 and Z9, enhances power and speed 8 stops with 5 axis IBIS + 8.0 stops VR and focus point VR for improved sharpness Offers high-speed performance, capable of up to 120 fps in stills and 240p in video Excels in low light with -10EV AF sensitivity for sharp focus in dim conditions 13+ stops of dynamic range, with ultra-fast data readout for capturing detail Supports 4K and 6K RAW in-camera recording for high-quality video capture 240p slow motion capability for dramatic, detailed 10x slow-motion footage Compatible with N-RAW and ProRes codecs for professional-grade video editing 6K oversampling for 4K UHD video ensures an enhanced, high-quality final image Subject-tracking technology accurately focuses on people, animals, and vehicles 3D tracking precisely follows fast-moving subjects like birds, motorbikes, and planes Dual card slots support CFexpress Type B or XQD and UHS-II SD memory cards EVF maintains a 60 fps refresh rate for a smooth view during shooting and playback Pro-quality audio is enhanced by an external mic input suitable for line-level recording 5760K dot hi-res LCD, 4000-nits EVF with DCI-P3 colour gamut and daylight brightness High-resolution vari-angle display with 2100k resolution for flexible shooting angles A sealed body for weather resistance able to operate in temperatures as low as -10°C https://www.bhphotovideo.com/explora/videos/photography/versatility-is-king-with-the-nikon-z6-iii

Which depth? Here in the Med with medium viz I was able to get consistent results up to 10 meters. I can MWB up to 20 meters but with unpredictable results: the camera performs MWB easily but colors are completely off. Tons of greens. The camera probably sets the colour temperature to the maximum of its scale (even if it is insufficient) and gives a positive response to the user. Unfortunately, Mediterranean water (and it also depends on where) is completely different from tropical water (and it also depends on where) so the results are not at all comparable. Below 20 meters the only decent clips I saw were shot in RAW (Canon C300 MKII, another planet). Maybe @lutfu tried with his GH5 in the eastern Mediterranean which has very clear water.

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Thank you Phil

Yes hence my question: are there option supported by manufacturers that not imply file and saw? OK thanks

Yes I know this is the correct way. I wanted to avoid a trip to the store because actually stainless screws with allen head are harder to find here. I have to go to a nautical hardware store and then maybe go there and find out it's in inches. Anyway it's not a 1/4 20 photographic but it looks like an M6

Hello everyone, What official options are there for owners of other brands of housings to mount Nauticam wet lenses while keeping the qualities intact? Regardless of judgments, it is a fact that these optics have changed the market. Here is an excellent roundup of the various models available. I often see photos of various brands' housings with WWL-1 or WACP or EMWL but cannot find mention in the manufacturers' catalogs. Recently I saw that Isotta has included an adapter for WWL on their site but otherwise... Personally I understand the competitors' intention to defend their brand but I find this behavior even counterproductive because sometimes you are a victim of vendor lock-in. Knowing that you can change housing and still use them or that my housing can use them and I don't have to change it.

Maybe @Aquatica could help me?

Hi all, My buddy lost the screws of his Aquatica GH5 housing handles. Do you know which kind of screws they are? Thanks

Welcome back diverssss!

Me too but I am trying to figure out if it is possible to adapt them to other housings. I'm surethat Isotta provides adapters to mount Nauticam lenses. I don't know about Marelux and Aquatica. We could open a thread 😉

I see that Bluewater Photo lists Aquatica and Marelux GH7 housings for preorder. Maybe they are changing the stickers 🙂 @Phil Rudin do you know anything about this housing? https://www.bluewaterphotostore.com/marelux-panasonic-gh7-underwater-housing/ https://www.bluewaterphotostore.com/aquatica-panasonic-gh7-underwater-housing/

I used the block in the photo for at least five years before I bought my floating arms but you can paint them for a badass looking 😉